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Francine Was a Machine
BY
Marte Aas

The starting point of the film is the unverified story about René Descartes’ mechanical daughter; a fable about a man of rationality and science creating a human looking machine in the place of his dead daughter Francine. During a travel through a storm at sea, the seamen discovered the doll in Descartes’ cabin. Horrified by the sight they threw it into the ocean.The film intertwines this story with images from a workshop producing sex dolls with artificial intelligence. Body parts and electronics, flesh colored silicon and casting molds are inhabiting this place. The film also shows images of cephalopods from the bottom of the sea, speculating on where Descarte ś doll ended her mechanical life and what became of her when she escaped the rational dualist world view of her creator.

Aspect ratio other
Prod. format Generic HD-video
Duration 00:14:04
Language English
Color Color
Year 2018
Latest screening Nov 25, 2021
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About the artist

Marte Aas

Marte Aas (NO), 1966, is a photographer and film maker. Aas main area of interest is the intersection between contemporary image culture, history, technology and the politics of the landscape. Her work attempts to address underlying structures and gestures that form political and ideological narratives. She is educated at The School of Photography at The University of Gothenburg and the National Academy of Fine Arts in Oslo. Her films and art works have been shown in film venues, festivals and exhibitions such as The film Society Lincoln Center and Anthology Film Archive, New York, EMAF and Seoul International Newmedia festival as well as Kunsthall Trondheim, The National Museum of Art, Oslo, Dazibao, Montreal and Photographic Center, Copenhagen.

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