Madubuko Diakité, 1972
In 1970, aspiring Harlem filmmaker Madubuko Diakité (born 1940) brought a lightweight 16mm camera into a Black Panther demonstration in New York. Inspired by Jean-Luc Godard and cinéma vérité, Diakité wanted to take his camera into the streets to show reality as...
Annika Eriksson, 2010
The film is set in an urban non-space in Berlin – an area with a few scattered pieces of discarded furniture. This in between space appears to operate on its own time, maintaining the stubborn calm of non-activity. A group of punks hang out in the darkness; they smoke and drink as their...
Jyoti Mistry, 2005
A mother and daughter come to terms with their memories in present day Johannesburg. We remember differently is a story about the experiences we choose to share and those we prefer to keep hidden, about the questions we ask and those we keep to ourselves. Intertwining 8mm historic footage of her...
Gustaf Broms, 2021
PERFORATED REALITIES started out as a diary, an attempt at dialogue, through a daily interaction between the organic surroundings and the fleshy vehicle typing these words. Urged on by new realities imposed by covid-19, as solid became fluid, structures imploded, re-evaluated and questioned in a...
