Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.
Sylwan by Salad Hilowle, curated by Gustav Person, will be looped at Katrineholms Konsthall between August 31st and September 14th. Salad Hilowle’s film revisit Astrid Lindgren’s famous story about Pippi Longstocking, to hint at an overlooked side of Swedish history.
Åsa Sonjasdotter’s film Cultivating Abundance will be shown on loop at the “Av Jord” exhibition, presented by Telemark Kunstmuseum between September 21st and January 5th. The film reflects upon the invention of the breeding of monoculture crops in Sweden and the ideas of genetic ‘purity’ and ‘originality’. The exhibition is centered around different ways to thematise soil, food production, sustainability and growth – which are the very core of Rjukan and Notodden’s World Heritage history.
“Av Jord”, literally: “Of Soil”, takes a critical look at our own industrial history. The invention of mineral fertilisers and the production of fertilisers on an industrial scale responded to a crisis in agriculture at the beginning of the 20th century.
Since 2004 video art accompanies passengers at Skanstull metro station. This autumn, Katarina Löfström’s Chronos-Kronos will be on display for the Konstväxlingar programme, presented by Ulrika Lublin. The film will be screened on loop from October 1st to December 31st. It consists in an animation with circles that expand and contract, inspired by mandalas, target boards and time management diagrams. The title is a mixup of two gods from Greek mythology – Chronos, god of time, and Kronos, a Titan and father of Zeus. This work has been developed in cooperation with the director Måns Nyman.
This fall the Eyefilmmuseum in Amsterdam hosts the exhibition “Underground – American Avant-Garde Film in the 1960s”. It will gather iconic works from the american underground moving image movement, among which Gunvor Nelson’s My Name is Oona and Take-off. It will be the occasion to explore the boundaries of film and art as it was reflected upon in the american 1960s, and to (re)discover key experimental masterpieces.