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2022

Marie Karlberg at Fluentum

Logo - Fluentum

The Good Terrorist by Marie Karlberg will be screened as a part of the group exhibition Kino between September 15 – October 29 at the art platform Fluentum in Berlin. The exhibition Kino is divided into two parts. The Good Terrorist will be played as a loop in Part 1 besides artwork created by the artists Rosa Aiello and Dylan Aiello, Noah Barker and Dora Budor, Peter Wächtler, Jiajia Zhang. The programme is curated by Dennis Brzek and Junia Thiede.

Programme:
Work distributed by Filmform

The Good Terrorist

Marie Karlberg

2021, 01:01:00

About Exhibition Kino:

If film is the medium, then cinema is the cultural situation in which showing and viewing moving images becomes a shared social engagement. The group exhibition Kino (German for “cinema”) translates this framework of collective spectatorship into the context of an exhibition. It hereby follows the current interest of artists in probing the temporal and narrative possibilities of time-based formats, between video and feature-length film, associative image collage and narrative epic.

A shared aspect of many of the featured positions lies in the way their artistic work employs a wide variety of media and forms, with the diverse use of moving images playing an essential role in developing ideas and interlocking narration, image, sound, and time. Thus, it is the multiple limitations and potentials of film, its production mechanisms, narrative logics, and aesthetic characteristics that are used here to reflect on the mediatization of storytelling today.

As an exhibition, Kino consists of a mobile display of projection screens and seats, transforming the act of looking into an individual and collective negotiation. Kino will be split into two distinct parts, with an addition of new works and a rearrangement of the display taking place in the middle of the exhibition’s runtime. Its curatorial directive aims to create a social situation in which an architecture of temporal and spatial settings serves as a template for different approaches to the sometimes unwieldy presentation of video and film in an exhibition context. Borrowing from cinema’s conventions, loosely fixed time schedules and spatial positionings experimentally expand the traditional way of engagement with moving images in an exhibition setting.

The two parts of the exhibition are each accompanied by a poster edition, created by Zoë Field and Max Eulitz, and Sophie Reinhold.

– Kino is curated by Dennis Brzek and Junia Thiede.

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IN SWEDISH

Filmformverk på Accelerator

Poster - Mother Courage and Her Children

Några av Filmforms samlade verk av konstnärerna Peter Weiss, Staffan Lamm, Kjartan Slettemark, Ann-Sofi Sidén, Lova Hamilton, Felix Gmelin, Peter Geschwind, Klara Lidén, Fia-Stina Sandlund, Hannah Ljungh och Runo Lagomarsino kommer att visas som loop på konsthallen Accelerator mellan 24 September 2022 – 12 februari 2023 på utställningen Mother Courage and Her Children. Programmets curatorer är Richard Julin och Therese Kellner i samarbete med Filmform.

Filmprogram:
Verk ur Filmforms distributionskatalog

– Kjartan Slettemark, Lektion i konsten att falla, 1969, 16 min

1

Ateljéinteriör/The Studio of Dr. Faust

Peter Weiss

1956, 00:10:00

2

Russelltribunalen

Staffan Lamm

2006, 00:09:27

3

QM at NK (A Queen of Mud Action)

Ann-Sofi Sidén

1989, 00:04:27

4

A Certain Awakening

Lova Hamilton

1999, 00:00:00

5

Farbtest, Die Rote Fahne II

Felix Gmelin

2002, 00:12:00

6

Sound Cut

Peter Geschwind

2002, 00:01:00

7

Bodies of Society

Klara Liden

2006, 00:05:00

8

Act 1: An Idealistic Attempt

Fia-Stina Sandlund

2007, 00:12:55

9

How to Civilize a Waterfall

Hanna Ljungh

2010, 00:03:53

10

More Delicate Than the Historians Are the Map-Maker's Colours

Runo Lagomarsino

2012, 00:06:18

Om Utställningen :
Utställningens titel är hämtad från pjäsen med samma namn av den tyska dramatikern och poeten Bertolt Brecht. Brecht skrev pjäsen i exil i Sverige 1939, som ett antikrigsdrama. Huvudpersonen Mor Courage drar sin kärra med handelsvaror mellan slagfälten under Trettioåriga kriget (1618–1648) och säljer överprissatta varor till soldater. Pjäsen skildrar hur krig skapar svårnavigerade dilemman och tar fram mörka sidor hos människan. Mor Courage offrar såväl moral som kärlek och till och med sina barn i jakten på kapital.

Hur skulle Mor Courage istället kunna göra motstånd? I en tid som präglas av rädsla och upprustning vill Accelerator ge rum åt det poetiska och lyfta det irrationellas subversiva kraft. I utställningen Mother Courage and Her Children presenteras immateriella verk som på olika sätt gestaltar mod eller motståndshandlingar. Performances, filmer och ljudverk som berör känslor av rädslor och vanmakt, och ger plats åt agens, hopp och gemenskap.

Mother Courage and Her Children visas parallellt med Tori Wrånes utställning BIG WATER. Wrånes konstnärskap präglas av en vilja att röra sig bortom kulturella normer, koder och kategorier. Tori Wrånes bisarra och surrealistiska gestaltningar har ett starkt drag av humor, lust och energi som understryker sprängkraften i att röra sig i det irrationella.

– Richard Julin och Therese Kellner.

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