MORE
Gropius Bau
Aktivering Samtal! (2020) by Mats Eriksson Dunér will be part of the group show “Playing in the City: A Short History from 1900 to the Present” at Gropius Bau in Berlin, Germany. The film will be screened on loop from March 22nd to March 2030 in an internationally renowned institution dedicated to contemporary art. Filippa Carlini is the project manager of the exhibition.
Programme:
Work distributed by Filmform
Mats Eriksson Dunér
2020, 00:58:00
Spårvägsmuseet logotyp
Underjordiskt sällskap av Guillermo Álvarez och På tunnelbanan av Catti Brandelius visas på Spårvägsmuseet från och med den 4 oktober 2025 och ett år framåt. Båda filmerna ingår i utställningen “Tunnelbanan i takt med tiden”, curaterad av Linda Schubert. Tidigare, under museets videokonstprogram “Konstväxlingar” 2024-2025, har totalt fyra verk från Filmform visats: Chronos – Kronos (2023) av Katarina Löfström, Bystanders (2020) av Petra Lindholm, Metamorfoser (1961) av Leo Reis och The Hour of Meeting Evil Spirits (2022) av Johan Thurfjell.
Filmprogram:
Verk ur Filmforms distributionskatalog
Guillermo Alvarez
1981, 00:28:00
Catti Brandelius
2001, 00:04:10
Curated by Alexandra Olsson Lignell, ‘Familjen – på gott och ont’ (Family – For Better or Worse) will feature a looped viewing of Catti Brandelius’ film ‘Ellen Kay’ (2001) at Sven-Harrys Konstmuseum. The exhibition will run from March 27th until September 13th.
Programme
Work distributed by Filmform
Catti Brandelius
2001, 00:04:00
Curatorial Text:
What is the nature of your own family’s history? Surely, it is a history of security and love, pain and reconciliation, drama and peace? All the things that have shaped you and the life you lead.
In the spring of 2026, an exhibition about the family ‘Family – For Better or Worse’ is set to open at Sven-Harrys Konstmuseum. This exhibition offers an account of how our identities and personal histories are shaped by our families.
Paintings, photographs, sculptures, and contemporary expressions all present depictions of the relationships that made us who we are. Together, works by classic pioneers and contemporary greats portray the family that each of us belongs to.
Moderna Museet’s upcoming exhibition ‘Lycksalighetens ö, Anna Casparsson’ (The Isle of Bliss) will include Peter Weiss’ 1960 documentary film of Casparsson in her home. The film will be shown on loop throughout the duration of the exhibition, which runs from April 24 – September 27. The exhibition marks the first solo show of Casparsson’s since 1960, and has been curated by Asrin Haidari.
Programme
Work distributed by Filmform
Peter Weiss
1960, 00:12:39
Twenty films from Filmform’s distribution catalogue will be available to stream on the new Cinemateket Play’s streaming service, including works by Claes Söderquist, Peter Weiss, and more. The films will be available to stream for a year, starting on May 18th, 2026, until May 18th, 2027.
Available to stream
Works distributed by Filmform
Peter Weiss
1960, 00:12:39
Peter Weiss
1956, 00:13:00
Peter Weiss
1956, 00:10:00
Rut Hillarp & Mihail Livada
1950, 00:13:00
Peter Weiss & Hans Nordenström
1957, 00:20:00
Åke Karlung
1965, 00:11:00
Peter Weiss
1959, 01:18:50
Eivor Burbeck
1954, 00:05:00
Claes Söderquist
1987, 00:36:00
Max Andersson
1989, 00:17:00
Åke Karlung
1964, 00:03:00
Staffan Lamm
2004, 00:09:27
Max Andersson
1987, 00:13:30
Peter Weiss
1952, 00:06:10
Peter Weiss
1952, 00:05:19
Peter Weiss
1953, 00:05:00
Peter Weiss
1954, 00:08:18
Peter Weiss
1955, 00:08:14
Claes Söderquist
1969, 00:30:00
Marcus Lindeen
2010, 01:00:00
Four works by Catti Brandelius will be screened in Havremagasinet Länskonsthall’s summer exhibition connected to the annual theme PLAY. The exhibition is presented in nine chapters and runs from May 30th – October 20th, 2026.
Programme
Works distributed by Filmform
Catti Brandelius
1999, 00:14:47
Catti Brandelius
2001, 00:04:10
Anna Linder
2011, 00:06:00
Catti Brandelius
1996, 00:05:14
‘The Community’ (2010) by Annika Eriksson will be shown in loop within the exhibition ‘With us at the center of our world: animals, domestications, dreams’ at Squeaky Wheel in Buffalo, New York. The exhibition runs from June 12th until September 11th and is curated by Ekrem Serdar.
Programme
Work distributed by Filmform
Annika Eriksson
2010, 00:04:30
The exhibition ‘With us at the center of our world’ takes its title from John Berger’s essay “Why Look at Animals?”. It features multiple strands for visitors to think through our relationship with non-human animals, addressing domestication, colonialism, extinction, conservation, and the toll humans extract from our co-habitants on earth.
Annika Eriksson’s ‘The Community’ features a carpet with several street cats in Turkey, opening a space for us to consider the roles and responsibilities of domestication and the possibility of creating new spaces for humans and animals to gather.