The year was 1999 and we sat at the kitchen table in Old Town in Stockholm and had morning coffee. We started playing with the idea of being an actor. Cinemateket’s program sheet was on the table and in it you could see frozen stills from films by Akira Kurosawa (‘Dreams’),...
We are located in a house where time and space seams to no longer communicate. The laws of nature have gone for vacation, vegetation seeks its way in through cracks and holes. A horse can not get up from the green puddle on the floor and someone is trapped inside of a large sack.
“Thank you for answering my questions so kindly. I was hoping to join a gathering Saturday evening but I was hindered by the Sun.”
The filmmakers mother was a CEO for a brush factory. The story how the mother managed to take back the family owned factory from her late husband in the fifties, was like a fairytale for the daughter. Nowadays the daughter spends a lot of time to help her old mother and the idea of making a film...
In the video work HeadHandEye, Hanni Kamaly interweaves images and stories in associative thought chains that reveal how power has always been exercised by controlling and dehumanising the body of the other.
Departing from Virginia Woolf’s experimental novel The Waves, the video Waves imagines how consciousness forms in relation to society and its technologies but also to expressions of geological and hydrological processes. Filmed at the threshold of land and sea, a conversation forms between...
Notes From Underground connects the Stockholm metro and Susan Sontag’s sojourn in Sweden during the late 1960s, with a cavern system 5,000 miles away in New Mexico—not far from where the artist was raised. With Sontag as guide, the video takes a journey through geological time,...
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