I frack
Claes Söderquist
1964, 00:11:00
In Liminal Beings, the artist films herself sculpting a life-sized doll made of skin, flesh and hair, drawn to the act of burying it and digging it up again. What begins as an artistic process gradually unfolds into an evolving narrative between creator and object.
“Brieftopia, Three or More Fools” is a speculative fictive film essay, a letter from the artist to the Iranian cartoonist Kambiz Derambakhsh (1942–2021). The narration moves between the Museum of Humour and Satire’s archive, focusing on Derambakhsh’s works, childhood...
“If it is a human thing to do to put something you want, because it’s useful, edible, or beautiful, into a bag, or a basket… then I am a human being after all.” Ursula K. Le Guin wrote.
In a California detention center, former film student Mohamed X reflects on his four-year confinement. Blocked from filming inside the opaque system, he recounts organizing a labor strike against $1 daily pay and a brutalized hunger strike, revealing the unimaginable realities of immigration...
Using the pine tree as a metaphor and through a photographic lens, the video essay Burn / Raking Light examines the transience of nature, photography, and our own existence.
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Aktivering Samtal! by Mats Eriksson for an extended screening at Gropius Bau
På tunnelbanan av Catti Brandelius och Underjordiskt sällskap av Guillermo Álvarez på Spårvägsmuseet