Filmform is the oldest existing organization in Sweden devoted to the promotion, preservation and distribution of film and video art, often engaged as an advisor to museums, galleries, universities and festivals. Our collection includes titles dating from 1924 until today whereof 800 titles in distribution.
A film about multi-media artist Kjartan Slettemark’s Nixon Visions, the collective title of his famous pictorial version of president Nixon, made 1971-74. It has its beginning in, among other things, Slettemark’s slogan ‘Opposition Must Pay Off’. The new, coffee-loving Nixon is marketed in a satirical balancing act between humor and seriousness. Slettemark’s advertising campaign is ‘a study of Nixon’s mental health’ in which ‘the face is the mirror of the soul’.
Born in 1948 in Stockholm, Sweden, where he is still based.
Hans Esselius works as a film-maker and artist with computer graphics. His education includes Konstfackskolan, Department of Photography, Private student with artist Kjartan Slettemark (5-years of high art school), and Högskolan i Skövde, Konstinriktade studier i datorgrafik, among others. Has worked actively with Arbetsgruppen för Film, Stiftelsen Filmform, Filmverkstan, Föreningen Video Nu samt Föreningen Elektronisk Bildkonst.
Previous exhibitions include Stockholm Art Fair, Galleri Baggen (Digital grafik), Grafikens Hus, Grafisk Revolution (Digital Big Image Poster), and Konstakademien, Stockholm, 12:e Grafiktrienalen (Digital grafik), and his art is represented at Malmö Konstmuseeum and the Fine Art Research and Holographic Center, Chicago, among other places.
1932-2008. Kjartan Slettemark has been using film and video as a means of expression since the 60´s. A crucial work in experimental film is Nixon Visions(1971), which he made together with Hans Esselius. As early as 1967 and 1968 he made the films Symfoni Realista 1-3, based on politically charged performance-shows. During the 60´s and 70´s Kjartan Slettemark often filmed with an aesthetics related to the moment, always present at performances and happenings. One example is Polisväxten (1969). In the 80’s Kjartan Slettemark moved on to video and was one of the founders of the video workshop Video Nu, which he ran with others, at Skeppsholmen in Stockholm.