Mother’s Milk (2019) is a poetic formulation of a mother-daughter relationship, where everyday considerations are interwoven with gestures that are both tender and violent to create a touching and thoughtful study of ideas about care. The film centres around the caregiving femme body that is in constant motion through various types of reproductive work in a home environment. Housework, childcare – a sequence of repetitive actions and gestures that seem to never end. The title Mother’s Milk refers to that which is involuntarily passed on and inherited between one generation and the next.Learn how to rent this work
Svarvargatan 2, SE-112 49 Stockholm +46 (0)8-651 84 26 email@example.com MOREHIDE
About the artist
Sophie Vuković is a filmmaker and artist based in Stockholm. Her practice is situated between documentary and fiction, and has previously investigated the construction of identity, intimacy and migration. Her films explore how personal relations and experiences are shaped and affected by social and political structures.
Her short film 09:55-11: 05, Ingrid Ekman (2015) won numerous awards at film festivals around the world. Her feature film debut Shapeshifters (2017) explores migration and belonging beyond national borders in a hybrid documentary form. Shapeshifters was nominated for a number of awards and was received critical acclaim in connection with the Swedish cinema release in the fall of 2017. Her films have been shown at film festivals, TV and cinemas, as well as in art exhibition contexts, for example at the Barbican Centre and at Moderna Museet in Stockholm, where she was one of the artists who participated in the Moderna Exhibition 2018. The film installation Mother’s Milk (2019) is her thesis work from the Royal Institute of Art and was awarded Bonniers Grant.