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Wear the Bazooka
BY
Petra Lindholm

The increasing blurring of fact and fiction, news and entertainment marks the 21st century. It can be difficult to know what is truth and fiction in the big media flow we have around us. Petra Lindholm has made a film that reflects on this theme. It is her experience of war trough television. The sound recordings and the pictures are filmed by her in many locations, you can not place them geograficly.

You can see a picture of a dry barren landscape – It seems like there is a fight further away. A camera plough trough the surroundings. We are waiting for an explosion, or maybe it has already happen. Right against the ear a woman is singing about her misgivings. 

Aspect ratio 1,33:1 (4:3)
Prod. format
Duration 00:08:30
Language English
Color Color
Year 2002
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About the artist

Petra Lindholm

Petra Lindholm (b. 1973 in Karis, Finland) lives and works in Småland, Sweden. She is educated at the Royal Institute of Arts in Stockholm (1996–2001). She has exhibited at galleries, museums and institutions in Sweden, Finland, Germany, Poland, Italy and the US. Petra Lindholm works mainly with video, textile and sound. Her films do not have a specific narrative structure. They are focused on nuances and changes in color and image; which creates a tense atmosphere rather than a clear-cut story. Lindholm often depicts situations that are easily recognizable or phenomena in the environment, where the real and ordinary things seem unreal. She composes the music for the films and sings herself. In 2001 she received the Maria Bonnier Dahlin Foundation’s Artist Award, 2002 the FilmForm Award and in 2006 she won third prize in the Carnegie Art Award. In 2018 the Royal Academy of Fine Arts in Stockholm awarded her the prestigious Axel Theofron Sandberg Prize. Her works are represented in the collections of Moderna Museet, Stockholm, Malmö Konstmuseum, Borås Konstmuseum, Västerås Konstmuseum, Museum of Contemporary Art Kiasma, Helsinki. EMMA–Espoo Museum of Modern Art, Finland, ProArtibus, Finland among others. In recent years she has completed a number of larger public commissions working with site-specific sculptures and installations.

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