Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.
Gompen og andre beretninger om overvåking i Norge 1948–1989 BY Lene Berg
Lene Berg’s GOMP: Tales of Surveillance in Norway 1948–1989 is a film from a staged hearing focusing on the surveillance of dissidents during the Cold War in Norway. Based upon extensive research and produced as a live event, it is simultaneously a documentary, a work of fiction and a piece of political theatre.
From a witness stand facing a panel of citizens, and in the presence of a small audience, a number of individuals come forward to speak about their personal experience of being surveilled or being agents of surveillance. Many of the witnesses appear under their own names; others are actors representing witnesses who could not attend. Through its unique set of characters and its use of associative montage of different stories and testimony, Gomp: Tales of Surveillance in Norway 1948–1989 depicts various aspects and consequences of being surveilled as well as a complex image of Post War Norway.
Lene Berg, born 1965, is a Norwegian film director and visual artist based in Berlin and Oslo. Her main media is film and moving image, but her artistic praxis also includes installation, collage, photography, and text; and she has produced a number of projects in public space. She studied film at Dramatiska Institutet in Stockholm and has directed four independently produced feature films as well as a number of short films and mixed-media artworks and installations for galleries, museums, and public spaces. Berg’s autobiographical film False Belief premiered at the Berlin International Film Festival in 2019 and was nominated for the Amnesty and Teddy Award. She represented Norway in the 55th Venice Biennale with the film Dirty Young Loose (2013). In 2022 she did the Festival Exhibition at Bergen Kunsthall, which is considered the most important solo presentation of a Norwegian artist in the country. In 2023 she published her first novel, Fra far/From father at Kolon.
Berg’s work has been shown at Haus der Kulturen der Welt, Berlin; Kunstnernes Hus, Oslo; Henie Onstad Kunstsenter; Konsthall C, Stockholm; Whitechapel Gallery, London; Art in General, New York. She has participated in a number of group exhibitions and biennales such as Manifesta; the Biennale of Sydney; the Taipei Biennial; Contour Mechelen and Transmediale Berlin.