Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.
Daddy’s Little Helper is a story about indifference and moral decay. The video is a reflection of a person who lacks both courage and compassion, when it comes to both small and large issues. The boundary between right and wrong is erased. The woman in the video tries to justify her actions, and a sense of guilt shines through, but it is still not enough to change her behavior. This leads to self-harm, an attempt to diminish her feeling of discomfort.
Born 1971 in Eskilstuna, Sweden. Currently living and working in Stockholm.
Cecilia Lundqvist started out with painting, but now works foremost with video and animation. She manages to treat difficult subjects, often from a personal, feminist perspective with a sharp sense of humour. Her artistic expression stretches from the play with simplified, raw lines, in Disco for instance from 1997, to the use of the animation media in a more sophisticated way, as in Emblem from 2001. Cecilia’s video works are shown frequently worldwide and has received recognition in the art and film world alike. Her work is generally narrative and deal with issues like domestic violence, power structures and human behaviour.
She is represented with video works at several art institutions, among them Moderna Museet in Stockholm and Centre Georges Pompidou in Paris. Educated at Royal Collage of Art, Video Department and University Collage of Arts, Crafts & Design, Art Department, Stockholm, Sweden. In 2004, Cecilia Lundqvist received Filmform’s Honorary Award because of the focused way she has developed her artistry over the years.