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Hello Ingmar
Gunilla Josephson

Hello Ingmar presents itself as autobiography, as documentary, as true/not true, but in its deliberate confusions of fiction and fact, calling into question our definitions of both those properties by distorting the narrative, the film becomes a ‘meta-biography’. Humorous, outrageous, factual, or a complete lie, the film is a perceptual recounting of experience, in which history is the result not of facts, but of perceptions.

In Hello Ingmar Josephson flees through the angst-ridden, bourgeois-humanist and theatrical world of Ingmar’s imagery, a world where cock, cunt and hell are arranged in mono-syllabic and insistent equivalence.

Keywords Documentary
Aspect ratio 1.33:1 (4:3)
Prod. format Other
Duration 00:07:10
Language English & Swedish
Color Color
Year 2001
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