Filmform (est. 1950) is dedicated to preservation, promotion and worldwide distribution of experimental film and video art. Constantly expanding, the distribution catalogue spans from 1924 to the present, including works by Sweden’s most prominent artists and filmmakers, available to rent for public screenings and exhibitions as well as for educational purposes.
Father’s Day at the Shrine of the Black Madonna BY Mats Hjelm
The Shrine of the Black Madonna Church is one of the few remaining organizations from the civil rights movements in the 60s. It is not only still alive, it is also expanding. Here is the force from the movements in the 60s together with a contemporary understanding of politics and strategy that has proven to be very efficient. With Black Christian Nationalism they have turned their back on the white American institutions and slowly built their own black alternative based on communalism. They work against individualism and with Jesus as an example of a black revolutionary. Their theology has its originis in Marcus Garvey’s ideas from the 20s, in which God’s chosen people are black. This short film is 12 minutes condensed from a Mass on Father’s Day 2005 – aimed at black men.
Mats Hjelm born in 1959, is an artist, documentary filmmaker and creator of multimedia installations who currently lives and works in Stockholm, Sweden. His work investigates the boundaries between art and movements of social justice, video installation and documentary practices, and personal and global political narratives. He has worked extensively in Europe, West Africa and the United States, and more recently in Brazil.
In a number of large-scale video installations, such as Black Like Him (2008), Father’s Day at the Shrine of the Black Madonna (2006), and the Trilogy (White Flight /Man to Man/Kap Atlantis, 1997-2003), the history of the Civil Rights movement is in focus. Poetic images interwoven with documentary footage tell stories of oppression, pride and the complexity of integration. Hjelm’s work also encompasses more down-to-earth video works such as After Hours (2010), where performers in business suits are enagged in a dance of power and submission with the office space as a backdrop. Hjelm’s latest installations Taste of Salt (2013) and Who the Fool (2015) include a poetic layering of political and existential narratives with his documentary work in West Africa and a reflection on Atlantic history and movements of social justice.
Hjelm’s work has been shown in numerous solo- and group exhibitions, including Moderna Museet, Stockholm, Museum of African American History, Detroit, Biennale Africaine de la Photographie, Bamako, Dubai International Film Festival, Museum of Contemporary Art, Chicago, Walker Art Center, Minneapolis, and the Venice Biennale, among others.
Mats Hjelm holds an MFA in Sculpture from Konstfack University College of Art, Crafts and Design in Stockholm, and he has also studied at the Cranbrook Academy of Art in the US under the guidance of Michael Hall. He has further education in philosophy from Stockholm University and in Design leadership from the University of Industrial Arts, Helsinki. Hjelm is represented in several private and public collections including Moderna Museet, Malmö Art Museum, Uppsala Art Museum and The National Public Arts Council Sweden. He is currently represented by Cecilia Hillström gallery in Stockholm, Sweden.
Hjelm’s extended art practice includes teaching in specialized courses within contemporary art. He is also an expert cinematographer, film colorist, programmer and video installation specialist, currently active as a consultant in these fields.
