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Whiteout
BY
Kajsa Dahlberg

The moving image has its problems with negation: it is almost necessarily affirmative because something in it has to move. In Whiteout, though, pictorial space is almost exhausted. Only a few contours are left in an otherwise all-white image that is saved from going blank by a dialogue that establishes certain vague desires. Through Dahlberg’s tribute to the avant-garde art group the Situationists’ idea of blowing up a waterfall in England’s picturesque Lake District, the video becomes an endgame of visuality. Whiteout leaves the viewer in the double bind between activity and passivity, art and non-art, past and present.

Keywords Animation
Aspect ratio 1.33:1 (4:3)
Prod. format Generic SD-video
Duration 00:03:00
Language English
Color BW
Year 2002
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About the artist

Kajsa Dahlberg

Kajsa Dahlberg is a visual artist, born 1973 in Gothenburg, currently living in Oslo. Dahlberg’s work is informed by queer life practices – its theories, and affinities and she has worked with a range of mediums including film, video, installations, text, and collaborative projects. For the past few years, she has been engaged with thinking about the apparatus of film as something that is not exclusively the product of human decisions, but also, in part, the product of the activity of agents other than ourselves. This work has partly been conducted within the framework of her Ph.D. Tidal Zones – Filming Between Life and Images (2024), carried out at the Royal Institute of Art in Stockholm. Dahlberg received her MFA at The Art Academy in Malmö 1998-2003 and was a studio fellow at the Whitney Program in New York 2007-08. Her work is represented in the collections of Moderna Museet in Stockholm, Malmö Art Museum, Hasselblad Center in Gothenburg, KORO (Kunst i Offentlige Rom) Oslo, and Video-Forum at Neuer Berliner Kunstverein, n.b.k, in Berlin. Dahlberg is currently teaching at the Film Arts School in Kabelvåg, in Lofoten, Norway.

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