An extensive film programme titled Gunvor Nelson: A Life in Film about Nelson’s lifelong work output will take place at Berkeley Art Museum and Pacific Film Archive November 12-21. The programme takes place over three separate occasions accompanied by introductions and discussions by scholars knowledgeable of Nelson’s works. Filmform is involved with program 2 which takes place on November 16 at 14:00, where ‘Oona is My Daughter’s Name’, ‘FOG PUMAS’ and ‘Reunion’ from Filmform’s catalogue will be screened. Curator for the programme is Susan Oxtoby.
Programme:
Works distributed by Filmform
Oona is My Daughter's Name
James Thomas Vale
1974, 00:13:20
FOG PUMAS
Gunvor Nelson & Dorothy Wiley
1967, 00:25:00
About the programme:
Gunvor Nelson (1931–2025) was an acclaimed Swedish experimental filmmaker who made the Bay Area her home for nearly four decades. Born and raised in Kristinehamn, Sweden, she originally came to California in 1953 to study art and art history, first at Humboldt State College, then the San Francisco Art Institute (SFAI), and finally Mills College, where she earned an MFA in painting. Between 1970 and 1992, she taught at SFAI, where she influenced generations of filmmakers. In 1993 she returned to Sweden and shifted her practice from 16mm filmmaking to digital video.
Over the years, Nelson made personal films that explored her own life and experiences. She thought deeply and freely about film editing and about when to use sound or allow a film to be silent. She collaborated with Dorothy Wiley on five films, three of which are included in this tribute: Schmeerguntz, Fog Pumas, and Before Need Redressed. BAMPFA holds Nelson’s 16mm camera originals and copies of her films in our film vault. In 2019 My Name Is Oona was named to the Library of Congress’s National Film Registry.