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Festival Cinema Transcendência screens Andrei’s Maria

Festival Cinema Transcendência – Poster

Andrei’s Maria by Ingela Johansson will be screened at the online Edition of Festival Cinema Transcendência on December 11. The film will be made available on the festival webpage from 3pm to midnight. The programme has been curated by Andre Luiz Oliviera and Carina Bini.

Programme:
Works distributed by Filmform

Andrei's Maria

Ingela Johansson

2017, 00:40:45

FILMFORM RE:VIEW – Paletten

Studie IV, Peter Weiss, 1954

Combined digital & physical screening on December 9th, 7PM (CEST)

Paletten Art Journal’s editors, Fredrik Svensk & Sinziana Ravini concludes this season of FILMFORM RE:VIEW with a film programme, loosely situated in between desire and imagination. The programme connects to Paletten’s new issue 325 that will be available to purchase during the evening at the physical screening at Filmform. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.

This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed on this page at the starting time 7PM (CEST) on December 9th:

PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Programme:
Works distributed by Filmform

1

Ateljéinteriör/The Studio of Dr. Faust

Peter Weiss

1956, 00:10:00

2

Förvandla Sverige

Jan Lindqvist & Stefan Jarl

1974, 00:30:00

3

Ottica Zero

Maja Borg

2007, 00:13:00

4

Studie IV/Frigörelse

Peter Weiss

1954, 00:08:18

5

Noventa y Tres

Juan-Pedro Fabra Guemberena

2011, 00:18:41

6

Vanus Labor

Salad Hilowle

2021, 00:12:56

7

Säj något snällt FITTA!

Roxy Farhat

2020, 00:19:26

Fantasy, Desire, and Conflict –
Why Did Harald Kill Himself?

The gap between fantasy and desire is what most often gets people into trouble. But what about the gap between inner conflicts and the conflicts that arise between people in society? This question has guided our selection of films from the Filmform archive. The subtitle of the program, “Why Did Harald Kill Himself”, is taken from the film Förvandla Sverige by Jan Lindqvist & Stefan Jarl from 1974. In addition to this film, we are showing works by Maja Borg, Juan-Pedro Fabra, Roxy Farhat, Salad Hilowle, and Peter Weiss.

– Sinziana Ravini & Fredrik Svensk

Sinziana Ravini and Fredrik Svensk are editors-in-chief of Paletten Art Journal. Paletten is a cultural journal for contemporary art, founded in 1940. Its ambition is to critically examine the conditions and functions of art in our time.

The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council

Pori Film Festival x Filmform

Pori Film Festival – Poster

Several titles distributed by Filmform will be part of the programme Experi-Mentalities at the 2021 edition of Pori Film Festival. The event will take place between 25-28 November and the programme has been curated by Timo Menke.

The combined screening and installation program Experi–Mentalities for Pori film festival 2021 is proposing an intersectional mix of circus, hideout and laboratory as a hybrid cinematic space for experimentation and experimentality. Rather than a black box, Experi-Mentalities stages closed and open spaces with a diversity of moving image works from the Swedish film region featuring illusions, prototypes and stunts, as well as failures, mishaps and dysfunctions. The experi-mental approach brings together elements of experiment and mentality in the sense of cinema as an ongoing trial and error, hypothesis and proof – from experimental procedures adopted from the natural sciences, exploratory approaches in filmmaking, and the testing of new forms of social organisation, while playing with the “experimental” as historical genre of art and film. The rationale of the institutionally controlled experiment is set against or within retinal experiments and mental explorations, confronting the all-too-known and unknown, searching for new realities, truths and futures leading to different or enigmatic forms of knowledge.

— Timo Menke

Programme:
Works distributed by Filmform

1

The Mismade Girl

Tova Mozard

2020, 00:16:34

2

Ateljéinteriör/The Studio of Dr. Faust

Peter Weiss

1956, 00:10:00

3

Francine Was a Machine

Marte Aas

2018, 00:14:04

4

Interbeing

Martina Hoogland Ivanow

2018, 00:10:40

5

Anna, var är Paulina idag?

Magnus Bärtås

1998, 00:01:07

6

This is Alaska

Mårten Nilsson & Gunilla Heilborn

2009, 00:10:40

7

FRAME LINE

Gunvor Nelson

1983, 00:22:00

8

Man with balls on hands and feet - Man on Water

Lars Siltberg

1999, 00:06:35

9

Jag letar i ditt kök

Anna-Karin Rasmusson

2019, 00:07:06

IN SWEDISH

Filmformpriset 2021 – Annika Eriksson

Annika Eriksson

Välkommen till utdelningen av Filmformpriset som i år tilldelas konstnären Annika Eriksson för sin förnyelse av den rörliga bilden i konsten. I videoverk där det oförutsägbara ges fritt spelrum närmar hon sig sociala transformationer med skärskådande blick. Fredagen den 19 november gästar Filmform Klarabiografen för att tillsammans uppmärksamma Erikssons konstnärskap.

Program:

18.30 – Insläpp till Klarabiografen. Wir sind wieder da (2010) visas
19.00 – Prisutdelning, Filmforms styrelse
19.15 – Konstnärssamtal med Annika Eriksson lett av Emily Fahlén (curator och konstnärlig ledare för konsthallen Mint). Under samtalet visas verken Copenhagen Postmen’s Orchestra (1996), I Am the Dog That Was Always Here (loop) (2013) samt Past Lives Selector (2016)
20.30 – Efterdrink i Teaterbaren, i anslutning till Klarabiografen, på plan 2 i Kulturhuset Stadsteatern.

Filmprogram
Verk ur Filmforms distributionskatalog

1

Wir sind wieder da

Annika Eriksson

2010, 00:23:55

2

Copenhagen Postmen’s Orchestra 1996

Annika Eriksson

1996, 00:08:46

3

I am the dog that was always here (loop)

Annika Eriksson

2013, 00:09:08

4

Past Lives Selector

Annika Eriksson

2016, 00:09:00

OBS: Fri entré. OSA till info@filmform för att reservera plats.

Annika Eriksson bor och arbetar i Berlin sedan 2002. Hennes konstnärskap kretsar kring intresset av sociala interaktioner: hur lever vi tillsammans, vilka samhällen skapar vi och vad händer i marginalen eller i övergången mellan en social ordning till en annan. I Erikssons arbete innebär det sociala en betoning på glidningar mellan det enskilda jaget och kollektivet – med frågor om interaktion och utbyte, cirkulära kommunikationsformer, självförnekelse och empati. Hennes projekt handlar också om relationen mellan människa och djur; vårt ömsesidiga beroende, skiftningar och anknytningar, men också register över kränkningar, och djuret som en distinkt mänsklig projektionsyta. Hon har ställt ut sedan början av 1990-talet på olika biennaler och institutioner, till exempel biennalerna i Istanbul, Venedig, Sao Paolo, Shanghai och Wien; på institutioner som Bonner Kunstverein, Tate Liverpool, Hamburger Bahnhof i Berlin, Hayward Gallery i London och Moderna Museet i Malmö och Stockholm.

Filmformpriset har sedan 1995 tilldelats personer som varit särskilt betydelsefulla i utvecklingen av rörlig bild som konstnärligt medium. Tidigare Filmformpristagare är: Loulou Cherinet 2020, Katarina Löfström 2019, Eric M Nilsson 2019, Claes Söderquist 2015, Maja Borg och Christine Ödlund 2010, Mats Hjelm 2006, Cecilia Lundqvist 2004, Kjartan Slettemark 2003, Petra Lindholm 2002, Ann-Sofi Sidén 2001, Magnus Wallin 2000, Olle Hedman och Gunvor Nelson 1996 samt Antonie Frank Grahamsdaughter 1995. Prissumman uppgår till 10 000 kr.

Filmforms styrelse som utsett årets pristagare består av Lars Gustaf Andersson (ordförande), Katarina Renman Claesson, Hanna Ljungh och Lena Essling.

IN SWEDISH

Länskonstmuseum Autumn Tour 2021

Gränsland – Affisch

Under november ger sig Konstmuseet i Norr ut på sin årliga höstturné i Norrbotten, Länskonstmuseum Autumn Tour, tillsammans med tre konstkortfilmer. Däribland två titlar ur Filmforms distributionskatalog, Untitled Abisko av Sophie Vuković och From Here to The Black Sea av Unni Gjertsen.

Årets upplaga av Länskonstmuseum Autumn Tour heter Gränsland och består av filmvisningar på biografer och kulturföreningar runtom i länet. På programmet finns tre konstkortfilmer som på olika sätt handlar om gränsdragningar i Barentsregionen.

Programmet visas på utvalda platser i Norrbottens län mellan 15-19 november och är curerat av Elin Ranestål.

Program:
Verk ur Filmforms distributionskatalog

1

Untitled Abisko

Sophie Vuković

2020, 00:19:20

2

From Here to The Black Sea

Unni Gjertsen

2020, 00:12:53

Filmform titles in Hommage to Amos Vogel

Filmmaker Festival – Logo

A Day in the City by Pontus Hultén and Hans Nordenström, Kirsa Nicholina by Gunvor Nelson and Study II Hallucinations by Peter Weiss will be part of the programme Hommage to Amos Vogel at Filmmaker Festival. The programme will take place on November 14 at Cinema Arcobaleno and is curated by Tommaso Isabella.

Programme:
Works distributed by Filmform

1

En dag i staden

Pontus Hultén & Hans Nordenström

1956, 00:19:00

2

KIRSA NICHOLINA

Gunvor Nelson

1969, 00:16:00

3

Studie II/Hallucinationer

Peter Weiss

1952, 00:05:19

Moms on Fire in special programme at CINANIMA

Stop Trik – Logo

Moms on Fire by Joanna Rytel will be screened at CINANIMA – International Animated Film Festival in the special programme Stop Trik IFF European winners and laureates. The programme will be screened at Centro Multimeios de Espinho 8 November and has been curated by Olga Bobrowska and Michal Bobrowski.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

IN SWEDISH

Filmformtitlar på Lidköpings Folkets Hus under Konstafton

Lidköpings Folkets Hus – Logga

Film Heritage Festival screens Muammer Özer

Deutsche Kinemathek – Logo

Utlänningen by Muammer Özer will be screened in the programme Film Restored at the Film Heritage Festival. The film will also be available online vid VOD as Film Restored Online from 3-17 November. The programme is curated by Anke Hahn.

Programme:
Works distributed by Filmform

Utlänningen

Muammer Özer

1981, 00:38:30

FILMFORM RE:VIEW – Roxy Farhat & Stockholms Kvinnohistoriska

Combined digital & physical screening on November 3rd, 7PM (CEST)

This seasons third programme in the FILMFORM RE:VIEW series is organized in collaboration with Stockholms Kvinnohistoriska who have invited the artist Roxy Farhat to shed light on the Filmform archive with lived female experience through labor and life as her starting point. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.

This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed.

PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Programme:
Works distributed by Filmform

1

13 Related Sewing Machines

Anna Linder

2011, 00:06:00

2

Det är sexigt att betala skatt

Eva Linder

2005, 00:10:40

3

Taxi Sister

Theresa Traore Dahlberg

2011, 00:28:00

4

KIRSA NICHOLINA

Gunvor Nelson

1969, 00:16:00

Labor/Life

Three films, three women, and three different perspectives on labor and life. Through the works of Eva Linder, Theresa Traore Dahlberg and Gunvor Nelson we get to experience brief but deep portrayals of three women’s lives. Ranging in medium, location and tonality the films speak about matters big and small: humor, family, pride, self-realization, the daily grind and the labor of pushing forward life itself. Anna Linder’s work 13 Related Sewing Machines is shown on loop in connection with the physical programme. The work reflects on women’s repetitive and invisible work and the declining use of sewing machines in everyday life today.

– Roxy Farhat

Roxy Farhat is a Swedish artist and director. Her artistic practice includes a range of of expressions: performance, video art, music videos, film, and more, where feminism, anti-capitalism and absurdity are recurring themes.

Stockholm Museum of Women’s History is a new and groundbreaking museum dedicated to women’s history. The museum work to have women’s history and stories explored, acquired, preserved and made accessible and visible to the public. Through innovative museum work – without a permanent building. Rather than having a fixed location, the museum appear in different shapes all over the city with tours, exhibitions, talks and other activities, to be present in our everyday lives where the history of women has taken place, working to make it a part of our common knowledge.

The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council

FILMFORM RE:VIEW – Malin Wahlberg

Sophie Vuković, Untitled Abisko, 2020

Combined digital & physical screening on October 20th, 7PM CEST

In the second edition of FILMFORM RE:VIEW, film scholar Malin Wahlberg has tracked several documentary fictions within the Filmform collection. Through the prism of the French philosopher Jacques Rancière’s term, documentary fiction, five portrait emerge in an area of tension between the imaginary and the concrete – with enactments as a truth seeking artistic method. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.

This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.

PHYSICAL SCREENING: The ticket price is 50 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Programme:
Works distributed by Filmform

1

Ambassadörens fru

Theresa Traore Dahlberg

2018, 00:18:00

2

...nästan som en i familjen

Astrid Göransson

2007, 00:09:51

3

Psychic

Tova Mozard

2019, 00:18:30

4

Untitled Abisko

Sophie Vuković

2020, 00:19:20

More distributed works in the programme:

Jag minns Lena Svedberg, Carl Johan De Geer, 2000, 6 min

Documentary Fictions

Five portraits of people and haunted places, invoked cinematographically in the present, in the past, or in the not so promising (imaginary?) future of our planet. As viewers we are enrolled in enactments where the making of the film is also partly its motif. These artists find unique ways to direct their attention at the possible dreams and desires awaken by the intensity of time passing, of touch, or the presence of absence invoked by photographic traces. However, the search at hand is never disconnected from the complexity of the world, and the conditions and predominant power relations of social and cultural life. Documentary fiction is a notion borrowed from the philosopher Jacques Rancière, who argues that memory cannot be separated from imagination, that “memory is the work [oeuvre] of fiction”. In contrast to the popular conception of “fiction” meaning “pretty story or evil lie”, the original Latin term fingere doesn’t mean “to feign” but “to forge”.

– Malin Wahlberg

Malin Wahlberg is a Professor in Cinema Studies at the Department of Media Studies at Stockholm University. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council

IN SWEDISH

Filmformtitlar i visning av Index på Kulturhuset Stadsteatern

Index Foundation – Poster

Index bjuder in till filmkväll på Klarabiografen i anslutning til Pauline Curnier Jardins pågående utställning på Index konsthall. Flera titlar ur filmforms katalog kommer visas av konstnärerna Gunvor Nelson, Axel Petersén, Joanna Rytel, Joanna Lombard och Conny Karlsson Lundgren. Programmet äger rum den 20 oktober klockan 18.00 och har curerats av Pauline Curnier Jardin och Index.

Filmprogram:
Verk ur Filmforms distributionskatalog

1

TAKE OFF

Gunvor Nelson

1972, 00:10:00

2

Brompton

Axel Petersén

2003, 00:14:00

3

Moms On Fire

Joanna Rytel

2016, 00:12:00

4

Details from the Future

Joanna Lombard

2007, 00:04:13

5

Without a Cause (Tomas)

Conny Karlsson Lundgren

2010, 00:10:50

IN SWEDISH

Statens konstråd visar Aktivering Samtal!

Statens konstråd – Logga

Aktivering samtal! av Mats Eriksson Dunér visas i samband med samtidskonstdagarna 2021 i ledning av Statens konstråd. Filmen kommer finnas tillgänglig för streaming mellan 20-22 oktober för anmälda deltagare. Curatorer för programmet är: Azmara Nigusse, Elisabeth Moritz, Erik Anderman, Filip Zezovski Lind, C. Grace Chang, Helena Selder, Jon Perman, Karin Bäckström, Lena Ylipää, Linnéa Jahn, Par Hasselberg, Annika Enqvist, Lena From, Giorgiana Zachia.

Program:
Verk ur Filmforms distributionskatalog

Aktivering Samtal!

Mats Eriksson Dunér

2020, 00:58:00

Howl! Happening screens Take Off

Howl! Arts Logo

Howl! Happening will be screening Take Off by Gunvor Nelson in the programme Body as Playground, Body as Battleground: Sexuality and the Female Gaze. The Programme is related to the original exihibtion Body as Playground, Body as Battleground at Konstepidemin. The event will take place on October 15 and the programme is curated by Tessa Hughes-Freeland.

Programme:
Works distributed by Filmform

TAKE OFF

Gunvor Nelson

1972, 00:10:00

IN SWEDISH

Carl Fredrik Reuterswärd i A House Reunion

Hygieniska problem – Carl Fredrik Reuterswärd

The Return of the Buffalo screened at Indigenous Resistance Festival

Indigenous Resistance Film Festival – Poster

The Return of the Buffalo by Claes Söderquist will be screened in connection with the programme Indigenous Resistance Festival at a public pop-up public screening hosted by Cine Movil. The event will take place October 11 and the programme has been curated by Andrew Stehney-Vargas.

Programme:
Works distributed by Filmform

The return of the Buffalo

Claes Söderquist

2012, 00:19:00

FILM AS A SUBVERSIVE ART – KIRSA NICHOLINA

Viennale – Kirsa Nicholina

The 2021 joint retrospective of the Viennale and the Austrian Film Museum presents Film as Subversive Art 2021: A Tribute to Amos Vogel. The programme includes Kirsa Nicholina by Gunvor Nelson and will be screened at Dokukino KIC October 7. Curators for the programme are Dina Pokrajac and Petra Belc.

Programme:
Works distributed by Filmform

KIRSA NICHOLINA

Gunvor Nelson

1969, 00:16:00

IN SWEDISH

Vänersborgs konsthall anordnar filmvisning med titlar från Filmform

Vänersborgs Konsthall – Logga

IN SWEDISH

Filmform 70 år: bokrelease och jubileumsvisning

Omslag: "Filmform 1950-2020"

Filmform fortsätter firandet av sitt 70-årsjubileum med en kombinerad bokrelease och jubileumsvisning på Zita Folkets Bio, onsdagen den 29 september mellan kl. 18.30-20.30.

BOKRELEASE (18.30 – 19.00)

Den 29 september släpps den efterlängtade antologin “Filmform 1950–2020” med fördjupande texter som vrider och vänder på Filmforms ständigt växande samling av konstnärers rörliga bilder. I antologin återfinns essäer, återpublicerade artiklar från organisationens långa historia liksom texter över samtliga Filmformpristagare mellan åren 1995-2020.

Medverkande författare är: Lars Gustaf Andersson, Dagmar Brunow, Iréne Berggren, Eivor Burbeck, Lena Essling, Emily Fahlén, Martin Grennberger, Rut Hillarp, Lars-Erik Hjertström Lappalainen, Helena Holmberg, Joa Ljungberg, Edi Muka, Monica Nieckels, Björn Norberg, Gunnel Pettersson, Jimmy Pettersson, Ingrid Ryberg, Patrik Sjöberg, John Sundholm, Daniel A. Swarthnas, Malin Wahlberg, Kim West, Cecilia Widenheim och Ashik Zaman. Form: Aron Kullander-Östling.

Under kvällen säljs boken till specialpris för 100 kr inne i största salongen på Zita – Salong 1. Betalning sker främst via Swish. Boken finns framöver till försäljning på Rönnells Antikvariat (Birger Jarlsgatan 32B, Stockholm).

JUBILEUMSVISNING (19.00 – 20.30)

Kvällen till ära presenteras även ett jubileumsprogram med både äldre och mer samtida verk ur Filmforms distributionskatalog. Verken visas på en rad olika format och med ett unikt liveframträdande av musikern Matti Bye. I filmprogrammet syns bland annat nydigitaliserade verk från de tidiga decennierna i Filmforms historia som ingår i det omfattande digitaliseringsprojekt som pågått mellan 2019–2021 med stöd från Holger och Thyra Lauritzens stiftelse samt Kulturdepartementet.

Filmprogram:

Det underbara mötet, Mihail Livada & Rut Hillarp, 1949, 10 min, med levande musik av Matti Bye
Velocipeden Union, Kjell Johansson, 1963–1965, 9 min
Mannen som flög, Hans Nordenström, 1960, 2 min
N, Ann Robertsson, 1967, 3 min
Destruktion, Boel Simouni (Zetterman), 1989, 5 min
The Kiss, Lova Hamilton, 1994, 1:36 min
Brompton, Axel Petersén, 2003, 14 min
Husvagnsrally, Malin Skjöld & Jenny Bergman, 2003, 3 min
Sportstugan, Gunilla Heilborn & Mårten Nilsson, 2005, 12:40 min, visas på 35mm
Housekeeping, Roxy Farhat, 2009, 02:33 min

Total speltid: ca 65 min

OBSERVERA: Fri entré till filmvisningen men föranmälan krävs. OSA till info@filmform för att reservera platser.

Med tack till Zita Folkets Bio och Tomas Ehrnborg Medieproduktion. Visningen genomförs med stöd från Kulturdepartementet samt Holger och Thyra Lauritzens stiftelse för främjande av filmhistorisk verksamhet. Filmform drivs med verksamhetsstöd från Kulturdepartementet via Konstnärsnämnden samt från Kulturrådet.

Filmprogram:
Verk ur Filmforms distributionskatalog

1

Det underbara mötet

Mihail Livada

1949, 00:11:08

2

Mannen som flög

Hans Nordenström

1960, 00:03:00

3

The Kiss

Lova Hamilton

1994, 00:01:36

4

Brompton

Axel Petersén

2003, 00:14:00

5

Husvagnsrally

Malin Skjöld & Jenny Bergman

2003, 00:03:38

6

Sportstugan

Gunilla Heilborn & Mårten Nilsson

2005, 00:12:40

7

Velocipeden Union

Kjell Johansson

1965, 00:09:00

8

Destruktion

Boella: Boel Zetterman

1989, 00:06:00

9

N

Anne Robertsson

1967, 00:03:00

10

Housekeeping

Roxy Farhat

2009, 00:02:33

Filmprogrammets totala speltid: 65 min. Det underbara mötet visas med levande musik av Matti Bye

Peter Weiss titles in special programme by Arsenal

Arsenal – Logo

Several titles by Peter Weiss will be screened in the programme Amos Vogel at Arsenal – Institute for Film and Video Art. The event will take part on September 28 and the programme is curated by Tobias Hering.

Programme:
Works distributed by Filmform

1

Tagning Öyvind Fahlström

Peter Weiss

1961, 00:11:00

2

Tagning narkomaner

Peter Weiss

1960, 00:05:33

3

Studie II/Hallucinationer

Peter Weiss

1952, 00:05:19

4

Ansikten i skugga

Peter Weiss

1957, 00:13:00

5

Ateljéinteriör/The Studio of Dr. Faust

Peter Weiss

1956, 00:10:00

Shadowland at 25 FPS Festival 2021.

25 FPS Festival – 17th International Experimental Film and Video Festival

Shadowland by John Skoog has been selected in the programme Jury’s Choice at 25 FPS International Experimental Film and Video Festival. The programme has been specially curated by the Grand Jury Member Pia Borg and will take place at Kino Studentski centar 24 September.

Programme:
Works distributed by Filmform

Shadowland

John Skoog

2014, 00:15:00

IN SWEDISH

Lidköpings folkets hus i samarbete med Filmform

Lidköpings Folkets Hus – Logga

Lidköpings Folkets hus visar flera titlar ur Filmforms katalog i samband med tre visningar av programmet Älskade planet den 24 september.

Visning ett sker i samband med Fridays for Futures globala klimatstrejk, #Uproot the system, med nationellt fokus på skog och intersektionalitet. Strejken äger rum på Nya Stadens Torg och filmprogrammet kommer att visas i Rådhuset som är beläget vid torget. I rådhuset visas även verket Murmurs of Earth i loop på skärm under den tid som strejken pågår.

Visning två och tre sker under lunch respektive kväll på Lidköpings Folkets Hus i samband med visningen av filmen More of Everything, som är en kritisk granskning av den svenska skogsindustrins påståenden om hållbarhet. I Folkets Hus foajé visas verket Nordiska panoramalandskap 2 i loop på skärm.

Curatorer för programmet är Carina Törnblom och Annacarin Öman.

Programme:
Works distributed by Filmform

1

Murmurs of Earth

Lars Arrhenius

2007, 00:07:15

2

Nordiska panoraman, landskap No.2

My Lindh

2019, 00:03:30

3

Wish Away

Petra Lindholm

2008, 00:10:30

4

Missanpassad anpassning

Elin Magnusson

2009, 00:03:50

5

Fjellvind

Mari Kretz

2018, 00:03:00

6

How to Civilize a Waterfall

Hanna Ljungh

2010, 00:03:53

7

Final Storage

Cecilia Lundqvist

2012, 00:02:38

Interbeing at the 7th edition of the Festival of Photography

Festival of Photography – Logo

Interbeing by Martina Hoogland Ivanow will be screened in the programme The Frames of Sopot at the 7th edition of the Festival of Photography. The programme will be shown at the State Art Gallery 3 on September 19 and has been curated by Maja Kaszkur.

Programme:
Works distributed by Filmform

Interbeing

Martina Hoogland Ivanow

2018, 00:10:40

Liquid Crystal Effects and Ear to the Ground at La Casa Encendida

La Casa Encendida – Logo

La Casa Encendida will be screening two Filmform titles in the special programme PRECIOUS STRATA. Liquid Crystal Effects by Timo Menke will be shown on 15 September and Ear to the Ground (Wandering Rocks) by Ulrika Sparre 29 September. The programme is curated by Maria Morata.

Programme:

Works distributed by Filmform

Timo Menke, Liquid Crystal Effects, 2019, 40 min

Ear to the Ground (Wandering Rocks)

Ulrika Sparre

2020, 00:09:04

FILMFORM RE:VIEW – Nathan Hamelberg

Vad ska vi göra nu då, Peter Weiss, 1958

Combined digital & physical screening on September 15th, 7PM CEST

The opening programme of the screenings series FILMFORM RE:VIEW reflects the hollowness of the urban space with the Swedish capital city as the cultural battleground. Writer Nathan Hamelberg has selected a set of films that on the one hand are documents from another time – mainly with a focus on the space for youth (or lack thereof) in Stockholm – and on the other hand are wholly new to most people. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.

This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.

GloBabel

PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a maximum of 15 people. The ticket price is 50 kr. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Programme:
Works distributed by Filmform

1

Slussen

Lennart Johansson & Lennart Arnér

1951, 00:03:00

2

Vad ska vi göra nu då

Peter Weiss

1958, 00:20:00

3

Notes From Underground

Lisa Tan

2013, 00:23:45

4

Soundbombing 20081102

Andreas Gavell-Mohlin

2009, 00:07:29

5

Amazeing Maze

Olle Hedman

1979, 00:05:00

Hollow Stockholm

What emotions seep from the margins of a metropole? From the capital of Sweden? How do new generations discover cracks to slide in through and into a well-planned and well-ordered city? How did one become one of the people in a society you had yet to fit into? I’ve selected a set of films that on the one hand are documents from another time – mainly with a focus on the space for youth (or lack thereof) in Stockholm – and on the other hand are wholly new to most people. What can art film and documentary film say about identity and space and the dominant view of youth in society? How are youth seen – or depicted – in optimistic film reels of yesterday, and what is absent in the pictures of anti-social youth?”

– Nathan Hamelberg

Nathan Hamelberg is a writer obsessed with urban issues and a background in violence prevention work amongst youth. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council

My name is Oona at Festival les docs de Noirmoutier

Festival les docs de Noirmoutier – Logo

My name is Oona by Gunvor Nelson will be screened as a part of the programme Adolescences at Festival les docs de Noirmoutier on 12 September. The programme is curated by Lucie Bonvin.

Programme:
Works distributed by Filmform

MY NAME IS OONA

Gunvor Nelson

1969, 00:10:00

Theresa Traore Dahlberg at Festival Mostra Luz da Africa

Mostra Luz Da Africa 2021 – Poster

In September Ouaga Girls by Theresa Traore Dahlberg will be part of the Festival Mostra Luz da Africa with two separate screenings on 8 and 12 September. The film will also be made available online on the festival webpage. The programme is curated by Carina Bini.

Programme:
Works distributed by Filmform

Ouaga Girls

Theresa Traore Dahlberg

2017, 01:15:00

IN SWEDISH

Öyvind Fahlström i utställning av Sven-Harrys konstmuseum

Under hösten presenterar Sven-Harrys konstmuseum grupputställningen Party for Öyvind där ett flertal konstnärer som inspirerade och inspirerades av Öyvind Fahlström samlas. I samband med utställningen kommer Tagning Öyvind Fahlström av Peter Weiss visas som loop mellan den 4 september till 23 januari. Curatorer för programmet är Barbro Schultz-Lundestam och Gunnar Lundestam.

Program:
Verk ur Filmforms distributionskatalog

Tagning Öyvind Fahlström

Peter Weiss

1961, 00:11:00

Dennis Cooper & Zac Farley – Permanent Green Light

Dennis Cooper & Zac Farley, Permanent Green Light, 2018, 90 min

On Wednesday, September 1st, Filmform is hosting Dennis Cooper & Zac Farley in Stockholm for screening of their latest film Permanent Green Light (2018). The film takes place in the French town Cherbourg, amongst a group of teenagers connected by Roman who is emotionally tangled and obsessed with the thought of his own annihilation.

Permanent Green Light premiered at International Film Festival Rotterdam in 2018 and has so far not been shown in Sweden.

Programme:

Dennis Cooper & Zac Farley, Permanent Green Light (2018, 90 min)

This programme was shown as a physical screening at Zita Folkets Bio on Birger Jarlsgatan 37 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.

PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a limited number of seats. The ticket price is 100 SEK. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Dennis Cooper & Zac Farley, Permanent Green Light, 2018, 90 min

About the film:

A young disabled guy wants to explode. He wants to do it in public. He thinks the fact that it will also end his life is useful for the act’s effect but is otherwise beside the point. He’s not suicidal. He has no ideology. He’s not interested in “heaven” or in going there. He doesn’t want people to misinterpret his explosion as a suicide. He doesn’t want people to misinterpret the explosion as his death.

About the artists:

Dennis Cooper
Complex yet ruthlessly clear, Dennis Cooper’s (b. 1953, US) prose recounts the emotional and erotic lives of troubled teenagers. His characteristic ability to combine cruelty with tenderness, sadism with anxiety, has made him one of his generation’s essential voices. In addition to his film collaborations with Zac Farley, he is known for novels such as the five novel quintology The George Miles Cycle (1989 -2000), The Sluts (2008), The Marbled Swarm (2014), and I Wished (forthcoming, 2021). He has written widely on art, film, music, and literature, and has been a Contributing Editor of Artforum since the late 90s. Since moving from Los Angeles to Paris in 2005, he has written nine theatre pieces for the director/choreographer Gisèle Vienne and composed a series of innovative GIF novels, most recently Zac’s Drug Binge (2020).

Zac Farley
Zac Farley’s (b. 1988 US/FR) films and videos embrace confusion as a kind of truth and thus strive to visualise the most ineffable emotions. Through careful editing and framing, they weave analogies between bodies, landscapes and abstractions. In addition to the feature films he made together with Dennis Cooper, including Like Cattle Towards Glow (2015), Permanent Green Light (2018) and Room Temperature (forthcoming), he is currently collaborating with director/choreographer Gisèle Vienne on a forthcoming feature film, Klara Kraus, and, with writer/curator Sabrina Tarasoff and Cooper, on a virtual “haunted house” project to be premiered at The Pinault Foundation in Paris in late October.

MOON’S POOL X MIRAGEM

MIRAGEM – Logo

MOON’S POOL by Gunvor Nelson will be part of the programme MIRAGEM as a film screening series located in the nature in Pico, in the Azores islands in Portugal. The event will take place on 29 August and the programme is curated by Rita Morais.

Programme:
Works distributed by Filmform

MOONS POOL

Gunvor Nelson

1973, 00:15:00

Bodies of Society meets Fahrradkörper

Fahrradkörper – Poster

Bodies of Society by Klara Liden will be screened as a loop in the Exhibition Fahrradkörper at Museum Haus Coburg in Städtische Galerie Delmenhorst from 15 August to 31 October. The programme is curated by Eugenia Kriwoscheja.

Programme
Works distributed by Filmform

Bodies of Society

Klara Liden

2006, 00:05:00

Where Dreams Cross in collaboration with Sophie Vuković

The art-project Where Dreams Cross will be viewing Mother’s Milk by Sophie Vuković in a special screening under the Danviksbro in Stockholm on August 14. The programme is curated by Åsa Widman Falewicz.

Programme:
Works distributed by Filmform

Mother’s Milk

Sophie Vuković

2019, 00:14:03

Pavement Gallery – Where She Is At

Pavement Gallery – Logo

Pavement Gallery presents Where She Is At by Johanna Billing in an exhibition. The film will be shown as a loop between 7 August and 10 September. The exhibition is curated by Elysia Lukoszevieze.

Programme:
Works distributed by Filmform

Where She Is At

Johanna Billing

2001, 00:07:00

Waterpieces Festival shows Mother’s Milk by Sophie Vuković

NOASS – Logo

Mother’s Milk by Sophie Vuković will be shown in the programme Familiar Feeling – VAFT 2020 at Waterpieces Festival on the 4th of August. The programme is curated by Rose Pietola and Sandra Kempele.

Programme:
Works distributed by Filmform

Mother’s Milk

Sophie Vuković

2019, 00:14:03

IN SWEDISH

Kalbjärga Filmfestival visar Åsa Sjöströms Mass

Kalbjärga Filmfestival – Affisch

Den 31 juli kommer Kalbjärga Filmfestival visa Mass – Monument for a Capitalist Society av Åsa Sjöström på Fårö. Filmen kommer framföras utan ljud men med livemusik av Matti Bye med flera. Curatorer för programmet är Martina Hoogland Iwanow och Matti Bye.

Filmprogram:
Verk ur Filmforms distributionskatalog

Mass - Monument for a Capitalist Society

Åsa Sjöström

1976, 00:14:00

2011 12 30 at Kunst i havgapet

Interlude Art Lab – Logo

2011 12 30 by Leontide Arvidsson will be screened as a loop at Jakobsen Mekaniske Verksted in connection with the exhibition Kunst i havgapet by Interlude Art Lab from 17 July to 7 August. The programme is curated by Benjamin Slotterøy.

Programme:
Works distributed by Filmform

2011 12 30

Leontine Arvidsson

2013, 00:02:53

International Animation Festival Fest Anča X Moms On Fire

International Animation Festival Fest Anča – Logo

Moms on Fire by Joanna Rytel will be a part of the programme with the thematic focus section about traditions once lived at International Animation Festival Fest Anča 2021. The film will screened at the subway station Stanica Žilina–Záriečie as well as online between 1-4 July. The programme has been curated by Jakub Spevák.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

IN SWEDISH

Filmformtitlar i program av Unga kontoret

Unga Kontoret – Logga

Flera titlar ur filmforms distributionskatalog kommer visas i programmet Rebell av konstnärsplattformen Unga Kontoret i Hökarängen. Programmet kommer även visas online. Curatorer för programmet är Amanda Hansson och Daniel Iinatti.

Programme:
Works distributed by Filmform

1

Ottica Zero

Maja Borg

2007, 00:13:00

2

Taxi Sister

Theresa Traore Dahlberg

2011, 00:28:00

3

Pass This On

The Knife (Artist group)

2003, 00:03:45

4

Homo sacer

Lode Kuylenstierna

2015, 01:00:00

5

TAKE OFF

Gunvor Nelson

1972, 00:10:00

6

Då tar jag din katt: Del ett - Kattkyss

Joanna Rytel

2002, 00:05:00

7

Moms On Fire

Joanna Rytel

2016, 00:12:00

Horse Performance at Internationales Frauen Film Fest Dortmund+Köln

Internationales Frauen Film Fest Dortmund+Köln – Logo

Joanna Rytel’s Horse Performance has been selected amongst 4 other titles in the section Focus – The Connection: Between Plants, Humans and Other Animals at Internationales Frauen Film Fest Dortmund+Köln. The films will be available on the festival VOD platform 15-20 June. The programme has been curated by Betty Schiel.

Works Distributed by Filmform:

Joanna Rytel, Horse Performance, 2:30 min, 2002

FILMFORM RE:VIEW – coyote

Combined digital & physical screening on June 10th, 7PM CEST

After being heavily postponed it is with great pride that Filmform are able to present the final programme in last years edition of FILMFORM RE:VIEW. For this film programme, the multidisciplinary artist collective coyote have explored the gesamtkunstwerk’s potential with the artist Åke Karlung’s growing installation Glo-Babels Torn (The Tower of GloBabel) from 1977–79 at Moderna Museet in Stockholm, as their starting point. Through its many counter images and rhythmic overlapping, the programme becomes a celebration to the unfinished and a mirror image of Filmform’s ever growing archive. FILMFORM RE:VIEW is a format where external professionals and organizations from spheres of culture or research are invited to botanize in Filmform’s collection. Starting off from their specific areas of interest and questions a film programme is curated and thereafter presented as an open screening at Filmform.

This programme is shown as a physical screening at Filmform on Svarvargatan 2 (Stockholm, Sweden) and simultaneously live streamed at the Filmform website.

Livestream here on June 10th at 7PM (CEST)

GloBabel

PLEASE NOTE: Due to the current pandemic special restrictions apply for those who wish to attend the physical screening. Admission is reduced to a maximum of 10 people. The ticket price is 40 kr. You book a ticket by RSVPing to info@filmform.com after which you will receive information about the different payment options and confirmation. First come, first served. We urge those who experience even the slightest symptoms to stay at home and enjoy the live streamed version of the screening.

Programme:
Works distributed by Filmform

1

Project for a Revolution

Johanna Billing

2000, 00:03:11

2

The return of the Buffalo

Claes Söderquist

2012, 00:19:00

3

SCHMEERGUNTZ

Gunvor Nelson & Dorothy Wiley

1966, 00:15:00

4

Underjordiskt sällskap - en fredagsresa under Stockholm

Guillermo Alvarez

1981, 00:28:00

5

Glo-Babel

Olle Hedman

1980, 00:04:00

GloBabel

The title is taken from Åke Karlung’s notorious and unfinished GloBabels Torn (The Tower of GloBabel), constructed at Moderna Museet’s screening room Lilla filmsalen between 1977–1979, which simultaneously used as the artist’s studio and workshop. Two years later the work travelled to Paris and Centre Pompidou for the exhibition SEXTANT, presented by the museum director Pontus Hultén. GloBabels Torn functions as a portal to the film programme; where Karlung’s Gesamtkunstwerk of ”image, sound, movement and words” becomes a rhythmic reflection of the selected films. Glo-babel’s attack on the emerging pop culture, cultural establishment and consumer society acts as a leitmotif for the programme’s six films. Like in the Bible, Karlung’s tower was never completed, instead it became a symbol of humanity’s desperate search for belonging and community in a world of babel of tongues, arbitrariness and alienation. GloBabel is an incomplete film programme of an archive of reactivated moving images which, as Åke Karlung’s work, never will be final.

– coyote

coyote is a multidisciplinary artist collective working ambulatory since 2017. The screening is arranged with support from Stockholms Stad. Filmform is supported by the Ministry of Culture through the Arts Grants Committee and the Swedish Arts Council

Jordmannen in Berlinale programme at Arsenal 3

Arsenal – Logo

Jordmannen by Muammer Özer will be shown in the online programme “JuneFiktionsbescheinigung. 16 Cinematic Perspectives on Germany” at Arsenal 3 in collaboration with Berlinale Forum. The programme will be available online between 9-30th June and has been curated by Karina Griffith, Can Sungu, Biene Pilavci, Enoka Ayemba, Jacqueline Nsiah.

Programme:
Works distributed by Filmform

Jordmannen

Muammer Özer

1980, 00:27:00

Press Release on May 17th, 2021 by Berlinale Forum:

The connections between culture in general, cinema in particular, society and racism are currently the subject of controversial discussion. The Berlinale Forum steps into the debate by presenting the film and discussion series “Fiktionsbescheinigung. 16 Cinematic Perspectives on Germany” an experiment in shared curatorial responsibility that puts a spotlight on a chapter of German film production that has been unfairly neglected.

The Berlinale Forum harbours a keen interest in the areas of film history yet to be properly illuminated and is always looking for new ways to think about the relationship between cinema and society. Both interests come together in this year’s special programme “Fiktionsbescheinigung. 16 Cinematic Perspectives on Germany”. The film and discussion series being put on in collaboration with SİNEMA TRANSTOPIA is dedicated to the work of Black directors and directors of color in Germany.

The films were selected by the curators Enoka Ayemba, Karina Griffith, Jacqueline Nsiah, Biene Pilavci and Can Sungu. Eight programmes consisting of features and shorts bring together works from across four decades, including Tour Abroad by Ayşe Polat (1999), Gölge by Sofoklis Adamidis and Sema Poyraz (1980) and In the Name of Scheherazade or the First Beer Garden in Tehran by Narges Kalhor (2019). Some of the films pick up on the experience of migration, addressing it directly or in more mediated fashion, just as others allow themselves the freedom of no longer taking it seriously. While Mala Reinhardt’s The Second Attack (2018) grapples with the structural racism of the majority society in unflinching fashion and indicts the failure of the authorities in the case of NSU terrorism, Visar Morina’s Exile (2020) is primarily interested in the subcutaneous effects that the experience of racism has on an individual. Sheri Hagen’s At Second Glance (2012) makes specific Black experiences visible but not in such a way that they determine an individual.

The five curators explain their selection in a statement: “The series sees itself as a snapshot of an ongoing, self-determined process of intervention and protest. Each of the films functions as a suggestion as to how the white German gaze can be countered with diverse, intersectional perspectives, with all of them having one thing in common: their own visual and textual practice of testimony from within, not from the margins.”

The films can first be seen from June 9 to 30 on the streaming platform of Arsenal – Institute for Film and Video Art (https://www.arsenal-3-berlin.de/en/). The discussion programme, which includes talks with the filmmakers, experimental, interactive formats, panels with scholars, festival programmers, actors and the curators, a keynote speech by scholar Kevin B. Lee and a lecture by filmmaker Biene Pilavci, will be taking place online. The film programme will be shown in August at SİNEMA TRANSTOPIA’s (https://bi-bak.de/en/bi-bakino) outdoor space.

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Moms On Fire X Animafest Zagreb

Animafest Zagreb 2021 – Poster

Moms On Fire by Joanna Rytel will be part of the special programme Love at Kino SC at World Festival of Animated Film Zagreb. The film will be shown between 7-12 June. The programme is curated by Daniel Suljic.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

MAN screened in Festival International du Film d’Aubagne

Festival International du Film d’Aubagne – Poster

Festival International du Film d’Aubagne presents MAN by Maja Borg in the programme Carte Blanche for Glasgow Shortfilm Festival on June 3rd and June 10th. The programme has beeen curated by Samya Papasoff.

Programme:
Works distributed by Filmform

MAN

Maja Borg

2016, 00:12:25

Minnen in competition at 37th Kurzfilm Festival Hamburg

Hamburg Laurel

Minnen by Kristin Johannessen has been selected for the competition programme at the 37th Kurzfilm Festival Hamburg. The film will be screened in the section INTERNATIONAL COMPETITION 3 between Tuesday – Monday June 1st – 7th.

Programme:
Works distributed by Filmform

Minnen

Kristin Johannessen

2020, 00:13:32

IN SWEDISH

Aktivering Samtal! på Blekinge Tekniska Högskola

Blekinge Tekniska Högskola – Logga

I ett samarbete med Masterprogrammet i Stadsplanering på Blekinge Tekniska Högskola kommer Aktivering Samtal! av Mats Eriksson Dunér visas. Curator för programmet och programansvarig för Masterutbildningen är Ebba Högström.

Filmprogram:
Verk ur Filmforms distributionskatalog

Aktivering Samtal!

Mats Eriksson Dunér

2020, 00:58:00

Festival Di Cinema Del Reale meets Gunvor Nelson

Festival Di Cinema Del Reale 2021 – Poster

Kirsa Nicholina by Gunvor Nelson will be part of the programme IsReal at Festival Di Cinema Del Reale 2021. The film will be shown on May 27th at Auditorium Giovanni Lilliu. The programme is curated by Daniela Persico & Alessandro Stellino.

Programme:
Works distributed by Filmform

KIRSA NICHOLINA

Gunvor Nelson

1969, 00:16:00

IN SWEDISH

Stockholm på film: Skåpet

Film i Samtidskonsten – Logga

Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Tidigare har FiS visat ett program med Karl Holmqvists tidiga videoverk, nu avslutas programserien Stockholm på film med Holmqvists Skåpet. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 24 maj – 7 juni.

Program:
Verk ur Filmforms distributionskatalog

Skåpet

Karl Holmqvist

1997, 00:16:42

IN SWEDISH

Workshop: Konst på nätet

Villkoren för att sprida mening kring sin verksamhet både i det fysiska rummet och på internet har i grunden förändrats i och med Covid19-pandemin. Det kommer troligtvis aldrig att bli som förr. Vad innebär det för oberoende och konstnärsdrivna verksamheter? Hur ska vi bli bättre på att synas och höras? Det var utgångspunkten för en dags workshop och kunskapsutbyte på Filmform. De som medverkande kom från Candyland/Supermarket, Centrum för fotografi, Tegen2 och Filmform.
På förmiddagen delade de olika verksamheterna erfarenheter av att verka i pandemitider. Alla verksamheter har ökat sin närvaro på internet och litat främst på plattformar som Youtube och Facebook. Det har i vissa fall lett till problem då de algoritmer och AI-funktioner som finns hos Youtube och Facebook går in och censurerar material eller blockerar användare. Det är beslut som fattas av nätjättar, beslut som inte går att överklaga eller ens diskutera.
Under dagen diskuterades behovet av alternativa plattformar på internet men dagen blev också en påminnelse om att denna diskussion fördes redan för 20 år sedan, innan Youtube och Facebook, då det fanns flera initiativ i omlopp för att beskatta de europeiska leverantörerna av internet (ISPer) och föra över resurser till att skapa nya kanaler och plattformar för att sprida konst på nätet. Under dagen delades praktiska råd och erfarenheter av att arbeta med Zoom, Teams och Skype. Efter gemensam lunch ägnades resten av dagen åt att göra en provsändning på Youtube. En videomixer som kan ta in fyra olika bildkällor kopplades upp med tre kameror, två sändarmikrofoner och plötsligt var vi i direktsändning. Skillnaden mot då är att det nu går att för blygsamma investeringar göra professionella sändningar på internet. Filmform kommer att ordna flera samtal och workshops kring strömmande media. Håll utkik.

– Nils Claesson

Workshop under ledning av Nils Claesson på Filmform, måndagen den 24 maj 2021

Untitled Abisko and Minnen in competition at 67th Kurzfilmtage Oberhausen.

Banner - Kurzfilmtage Oberhasuen

Sophie Vuković’s Untitled Abisko and Minnen by Kristin Johannessen has been selected for the competition programme at the 67th Kurzfilmtage Oberhausen. Untitled Abisko will be screened twice, on May 9 at 2 pm and on May 10 at 5 pm, as part of the programme ‘International Competition 7’. The screening on May 9 at 2 pm will be followed by a live discussion in English, featuring filmmakers from the same programme.

More information on the screening of Minnen – TBA.

Programme:
Works distributed by Filmform

1

Untitled Abisko

Sophie Vuković

2020, 00:19:20

2

Minnen

Kristin Johannessen

2020, 00:13:32

Kirsa Nicholina in Re-selected at Oberhausen

Banner - Kurzfilmtage Oberhasuen

Kirsa Nicholina by Gunvor Nelson will be screened online in the film programme “re-selected: Yes, but… Amos Vogel in Oberhausen” at Kurzfilmtage Oberhausen on 7th – 9th May. The programme has been curated by Tobias Hering.

Programme:
Works distributed by Filmform

KIRSA NICHOLINA

Gunvor Nelson

1969, 00:16:00

Filmform News 2021 at the 67th Kurzfilmtage Oberhausen

Banner - Kurzfilmtage Oberhasuen

Several new titles in Filmform distribution catalogue will be presented in the programme Filmform News 2021 at the online edition of International 67th Short Film Festival Oberhausen on May 6th at 8PM, CEST. After the digital premiere, the programme will be available for another 48 hours. Executive director Anna-Karin Larsson and producer Andreas Bertman will be introducing the screening.

Programme:
Works distributed by Filmform

1

Den nya mannen

Nils Agdler

2018, 00:03:40

2

You Wouldn’t Like Me When I’m Angry

Oscar Guermouche

2016, 00:02:50

3

Velocipeden Union

Kjell Johansson

1965, 00:09:00

4

Som de själva

Noemi Sjöberg

2020, 00:03:03

5

The Session

Annika Eriksson

2004, 00:10:34

6

The Mismade Girl

Tova Mozard

2020, 00:16:34

More distributed works in the programme:

Magnus Wallin, Elements, 2011, 04:42 min
Lars Arrhenius, Humor, 2017, 07:52 min

The 67th festival edition goes online for the second time

Festival moves its projected on-site programmes online

In 2020, Oberhausen was the first German film festival forced to go online – with great success – by the Corona pandemic. Now the decision has been taken to go online-only once again in 2021. From 1 to 10 May, more than 400 short films, over 190 of them in the eight competitions alone, will be streamed for audiences and professionals.

“We are going online to reach the largest possible audience for the films and to guarantee the greatest security for our audience. We had to make this decision, like many other cultural institutions, against the background of a lack of reliable guidelines for opening up cultural institutions and staging cultural events on the part of German politics,” says festival director Lars Henrik Gass, explaining the decision. “However, we hope to be able to reach a worldwide audience again with an outstanding programme that we would never have reached in Oberhausen alone, and to contribute to the democratisation of film culture.”

The original plan was for a hybrid festival: while the online competitions scheduled from 1 to 4 May will be presented as planned, most of the programmes planned on site from 5 to 10 May are now shifting online, including the five traditional competitions of the Festival.

IN SWEDISH

Verk från Filmform visas på Filmvetenskapen vid Stockholms universitet

Stockholms universitet – Logga

Filmform kommer visa ett urval verk online i samarbete med den Filmvetenskapliga fakulteten vid Stockholms universitet. Filmerna visas som kursunderlag till fördjupningskursen på kandidatnivå med temat Dokumentära perspektiv som iscensättning. Filmprogrammet kommer visas under maj månad. Curator för programmet och lärare på kursen är Malin Wahlberg.

Filmprogram:
Verk ur Filmforms distributionskatalog

1

Andrei's Maria

Ingela Johansson

2017, 00:40:45

2

Three Poems by Spoon Jackson

Michel Wenzer

2003, 00:14:00

3

Ambassadörens fru

Theresa Traore Dahlberg

2018, 00:18:00

Conversation Between Collections: Animal Love

Mex and the animals, Elisa Gleize, 2020,

Vidéographe and Filmform are proud to present a joint digital screening within the new framework “Conversation Between Collections”. Each organization have put together a film programme containing works from both collections through the lens of a specific theme.

The two programmes will be screened on two separate occasions, April 22nd (part 1) and April 29th (part 2). For more information on part 1: LINK HERE

Part 2: Animal Love (programme by Filmform)

Streamed two times on Thursday April 29th, 7 PM local time in Sweden (CEST) and 7 PM local time in Canada (EDT). No tickets required.

Videographe

Canadian audience: LINK HERE

Programme:
Works distributed by Filmform

1

What if I Was a Rat?

Ilona Huss Walin

2002, 00:07:48

2

Ap-performance

Joanna Rytel

2002, 00:02:30

3

The Kiss

Lova Hamilton

1994, 00:01:36

4

Searching for the European Roller

Hillside Projects (Artist group)

2017, 00:16:36

ANIMAL LOVE

Borrowing it’s title from Ulrich Seidl’s infamous feature film from 1996, this programme evokes questions of control, communication and desire through the relationship between humans and animals. In the opening films by Marte Aas and Ilona Huss Walin, the anthropocentric perspectives start shifting and finally become muddled. Here, animals are seen mourning, remembering, observing human culture and behaviour instead of the other way around as later imagined in Elisa Gleize’s virtual zoo and Hillside Project’s search of a disappearing blue bird. Nowhere are perhaps the ideas of natural behaviour as exposed as in the human understanding of sexuality which echoes throughout the programme in several works. On the more symbolic level – in Lova Hamilton’s oral domestication of a rooster along with Frederic Moffet’s exploration of a natural reserve-cum-human cruising ground on a deserted air base. A more direct and performative method can be seen in Joanna Rytel’s confrontative striptease for monkeys as well as Rachel Echenberg’s dissolvement into a flock of pigeons. Through all these various renditions of control and identification, animal and human relationships are stripped down to the bone, skin, feathers and fur.

– Andreas Bertman & Anna-Karin Larsson, Filmform

Programme:

1. Marte Aas, What I Miss About People, and What I Don’t Miss About People, 2017, 10:51 min (Filmform)
2. Ilona Huss Walin, What If I Was A Rat, 2002, 07:48 min (Filmform)
3. Joanna Rytel, Monkey Performance, 2002, 2:30 min (Filmform)
4. Frederic Moffet, The Magic Hedge, 2016, 9 min (Vidéographe)
5. Lova Hamilton, The Kiss, 1994, 2 min (Filmform)
6. Rachel Echenberg, Blanket, Pigeons, 2004, 3 min (Vidéographe)
7. Hillside Projects, Searching for the European Roller, 2017, 16:36 min (Vidéographe/Filmform)
8. Elisa Gleize, Mex and the animals, 2020, 8:22 min (Vidéographe)

Running time: 60 min


Conversation Between Collections

Through the screening format Conversation Between Collections, two distributors of artists moving images are joined to shed lights on each other’s collections and organizations. With a specific theme as their starting point, the two distributors select works from both their own and the others catalogue and present it in a public film programme. As a result, international tendencies in artists subjects and methods are linked and historical layers are revealed. The works come into dialogue and unexpected encounters open up to new understandings of the arts and ourselves.

IN SWEDISH

Stockholmssyndromet i Stockholm på Film

Film i Samtidskonsten – Logga

Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst ut i det tematiska programmet Stockholm på film visas Carl Johan De Geers Stockholmssyndromet. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Filmen finns tillgänglig på FiS hemsida mellan 26 april – 10 maj.

Stockholmssyndromet

Filmprogam (verk ur Filmforms distributionskatalog):

Stockholmssyndromet, Carl Johan De Geer, 2001, 9 min

Conversation Between Collections: Traces and Territories

Ear to the Ground (Wandering Rocks), Ulrika Sparre, 2020

Vidéographe and Filmform are proud to present a joint digital screening within the new framework “Conversation Between Collections”. Each organization have put together a film programme containing works from both collections through the lens of a specific theme.

The two programmes will be screened on two separate occasions, April 22nd (part 1) and April 29th (part 2). For more information on part 2: LINK HERE

Part 1: Traces and Territories (programme by Vidéographe)

Streamed two times on Thursday April 22th, 7 PM local time in Canada (EDT) and 7 PM local time in Sweden (CEST). No tickets required.

Ulrika Sparre: Ear to the Ground

Canadian audience: LINK HERE

Programme:
Works distributed by Filmform

1

Ear to the Ground (Wandering Rocks)

Ulrika Sparre

2020, 00:09:04

2

Faces

Liselotte Wajstedt

2008, 00:03:29

3

Untitled Abisko

Sophie Vuković

2020, 00:19:20

TRACES AND TERRITORIES

Drawn from the Filmform and Vidéographe collections, the works in this programme explore the traces that human beings leave – or don’t leave – on the territories in which they settle, and the effect of their absence, destruction or rediscovery on local history, great or small.

– Karine Boulanger, Vidéographe

Programme:

1. Håkan Dahlström, The Monument, 2014, 17:15 min (Filmform)
2. Ulrika Sparre, Ear to the Ground (Wandering Rocks), 2020, 9:04 min (Filmform)
3. Macha Ovtchinnikova,The Scar of the Earth, France-Russia, 2020, 10:57 min (Vidéographe)
4. Terres fantômes, Félix Lamarche, Canada, 2019, 18:38 min (Vidéographe)
5. Sophie Vuković, Untitled Abisko, 2020, Sweden, 19:15 min (Filmform)
6. Liselotte Wajstedt, Faces, Sweden, 2008, 3:29 min, no dialogue (Filmform)

Running time: 78 min

Conversation Between Collections:

Through the screening format Conversation Between Collections, two distributors of artists moving images are joined to shed lights on each other’s collections and organizations. With a specific theme as their starting point, the two distributors select works from both their own and the others catalogue and present it in a public film programme. As a result, international tendencies in artists subjects and methods are linked and historical layers are revealed. The works come into dialogue and unexpected encounters open up to new understandings of the arts and ourselves.

Image Missing in competition at EMAF

Logo - EMAF 2021

Samuel Richters’ Image Missing or Scenes Based on an Unrealized Play by Bertolt Brecht (1939), and Later Reimagined by Peter Weiss (1978), about Engelbrekt and the Peasant Uprising in Sweden 1434—36 has been selected for the International Competition at the 34rd edition of European Media Art Festival (EMAF). The film will be screened online between 21 – 25th April in the programme Imperfect Tense.

Programme:
Works distributed by Filmform

Image Missing or Scenes Based on an Unrealized Play by Bertolt Brecht (1939), and Later Reimagined by Peter Weiss (1978), about Engelbrekt and the Peasant Uprising in Sweden 1434—36

Samuel Richter

2020, 00:21:12

Utopias Are For Realists – Ottica Zero

Ottica Zero by Maja Borg will be part of the programme Utopias Are For Realists! Within the project THIS IS SHORT by Vienna Shorts. The programme will be available online from 20 April – 5 May and is curated by Daniel Ebner.

Programme:
Works distributed by Filmform

Ottica Zero

Maja Borg

2007, 00:13:00

IN SWEDISH

Filmform titlar på An Ordinary Day Film Festival

AODFF - Poster

IN SWEDISH

Film i Samtidskonsten hemmabio: Tova Mozard

Film i Samtidskonsten – Logga

Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst på tur är ett program med Tova Mozards tidiga videoverk Just Visiting This Planet, Leona Babette och Stora Scenen. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 12 – 26 april.

Program:
Verk ur Filmforms distributionskatalog

1

Just Visiting This Planet

Tova Mozard

2005, 00:17:30

2

Leona Babette, Westwood, Los Angeles

Tova Mozard

2002, 00:07:00

3

Stora scenen

Tova Mozard

2012, 00:31:00

IN SWEDISH

Interbeing i vårens utställning på Rikstolvan

Rikstolvan - Logo

Interbeing av Martina Hoogland Ivanow visas som installation i Rikstolvans vårutställning som pågår mellan 2 april till 16 maj. Curatorer för utställningen är Bea Tigerhielm och Staffan Julén.

Filmprogram:
Verk ur Filmforms distributionskatalog

Interbeing

Martina Hoogland Ivanow

2018, 00:10:40

VÅRUTSTÄLLNING 2/4 – 16/5

Den 2 april öppnar vi Rikstolvans konsthall för säsongen och visar film, fotografi och skulptur. På grund av pandemiläget släpper vi endast in ett begränsat antal besökare i taget via förbokning. Klicka på knappen nedan och välj dag och tid när du vill komma.
Utställningen visas hela påskveckan och sedan helger t.o.m. den 16 maj. Kaféet serverar lättare lunch och fika under konsthallens öppettider.

2/4-11/4 kl 12.00-16.00
12/4-16/5 fre-sön kl 12.00-16.00
info@rikstolvan.se | +46 735 91 91 36 | www.rikstolvan.se

MARTINA HOOGLAND IVANOW

Filmen Interbeing bygger på en icke-linjär dokumentation av sociala strukturer och deras olika tillvägagångssätt för tillit och rädsla. Kameran använder en värmeskugga som är synlig vid och efter fysisk beröring, värmen förblir, som spår av yttersta gemensamhet i försök att få direktkontakt, såväl som offentliga vardagliga möten.

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SHIS IS SHORT screens Moms on Fire

THIS IS SHORT – Logo

The European Short Film Network (ESFN) has selected Moms On Fire by Joanna Rytel to be screened in the programme Film of the Day on the online festival platform: THIS IS SHORT between 1 April and 21 June. ESFN is a collaboration between European festival and consists of Go Short (NL), Oberhausen (DE), Short Waves (PL) and Vienna Shorts (AT). The programme has been curated by Mathieu Jansen.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

IN SWEDISH

Film i Samtidskontens Stockholm på film

Film i Samtidskonsten – Logga

Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Näst ut är det tematiska programmet Stockholm på film där Felice Hapetzeders Stockholm 1970 ingår. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 29 mars – 12 april.

Filmprogram:
Verk ur Filmforms distributionskatalog

Stockholm 1970

Felice Hapetzeder

2001, 00:10:00

Filmform titles in competition at RISC

The Rencontres Internationales Sciences & Cinémas (RISC) – Logo

Interbeing by Martina Hoogland Ivanow and Diagram of Transfer No. 1 by Lina Selander will participate in the short film competition at the 13th edition of Rencontres Internationales Sciences et Cinémas. The festival takes place between 19-27 of March. The selected films will be available online on the festival’s platform between the 26-27th of March.

Programme:
Works distributed by Filmform

1

Interbeing

Martina Hoogland Ivanow

2018, 00:10:40

2

Överföringsdiagram nr 1

Lina Selander & Oscar Mangione

2018, 00:08:30

IN SWEDISH

Trottoarvideo : Score på ID:I galleri

Installationsbild - Score

Score av Katarina Löfström visas på ID:I galleris skyltfönster i satsningen Trottoarvideo som sker i samarbete med TEGEN2 helgen 26-28 mars. Curator för programmet är Nils Claesson.

Filmprogram:
Verk ur Filmforms distributionskatalog

Score

Katarina Löfström

2004, 00:04:30

Trottoarvideo

– ett samarbete mellan ID:I galleri och TEGEN2

7 kvällar med rörlig bild i skyltfönstret på Tjärhovsgatan 19

Den första helgen visas två verk:

Score (2004, 04:39 min) av Katarina Löfström

En animation som baseras på pixlarna i ett fotografi av universum tagna från Hubbleteleskopet. En filosofisk film om hur långt människan kan se bortom jorden.

A Penny for Your Thoughts, video, 2006 (18:40 min) av Dror Feiler och Gunilla Sköld Feiler

En voyeurfilm. En grupp ungdomar i Tel Aviv filmas på avstånd i mörkret och motljus-skenet från de ödsligt upplysta, hypermoderna kontorskomplexen. I ett textcollage som klippts samman ur situationisternas “fader”, författaren och regissören Guy Debords texter, ges sammanhanget en ny mystisk mening.

Fredag 26/3 Score och A Penny for Your Thoughts
Lördag 27/3 Score och A Penny for Your Thoughts
Söndag 28/3 Score och A Penny for Your Thoughts

Torsdag 1/4 TBA
Fredag 2/4 TBA
Lördag 3/4 TBA
Söndag 4/4 TBA

Då många människor väljer att inte besöka ett galleri i denna tid av pandemi har vi valt att presentera ett antal videoverk i skyltfönstret på ID:I galleri på Tjärhovsgatan 19. Vi tar på detta sätt det offentliga rummet och inte minst trottoaren i anspråk för att låta konsten vara fortsatt verksam i vår stad.

Fri konst och bredare trottoarer!

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Copenhagen Contemporary exhibits Chora

Chora, Emily Carlén

Chora by Emily Carlén will be screened as a loop in the exhibition Art of Sport at Copenhagen Contemporary Art Center from 25 March to 24 October. The exhibition is curated by Marie Nipper, Director of Copenhagen Contemporary

Programme:
Works distributed by Filmform

Chora

Emelie Carlén

2014, 00:04:22

Moms On Fire at Tricky Women 2021

Joanna Rytel’s Moms On Fire will be screened digitally at Tricky Women festival’s 2021 edition Tricky Realities in the programme Happy Birthday 2. The film will be availble online for 48 hours, starting Saturday 13th March. The programme has been curated by Waltraud Grausgruber.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

IN SWEDISH

Åstorps konsthall visar Gittan Jönssons dokumentärfilm Parallella linjer

Åstorps Konsthall, Gittan Jönnson, med dagens ögon – Affisch

Gittan Jönssons dokumentärfilm Parallella linjer kommer visas online i anslutning till utställningen Gittan Jönsson: Med dagens ögon på Åstops Konsthall i samband med den internationella kvinnodagen den 8 mars. Evenemanget är ett samarbete mellan Åstorps kommun och Filmform. Filmen kommer vara tillgänglig på Åstorps konsthalls hemsida konstnadsfritt under måndagen den 8e mars.

Parallella linjer
Gittan Jönsson
Parallella linjer (2018), 57:00 min

Filmen är Gittan Jönssons personliga spaning efter spåren av den feministiska rörelsen inom konstvärlden. Från manifestationer i Stockholm som Kvinnokulturfestivalen 1977 och Vi arbetar för livet 1980, där konstnärerna protesterade mot mansdominansen i kulturlivet, till dagens Berlin. I filmen rör sig samtalet över tid och rum, över 70-tal och nutid, Stockholm och Berlin, när konstnärer delar med sig av sina erfarenheter av det patriarkala systemet och visar sin konst. Samtal uppstår som suddar ut gränser mellan tid och rum. Filmen lyfter fram kampen för rättvisa villkor inom konsten som nästan glömts bort.

Förutom samtal och intervjuer består filmen av arkivmaterial, foton, filmade sekvenser från Sveriges Television och från en feministisk performancefestival i Warszawa.

Om konstnären
Gittan Jönsson (f 1948) utbildade sig på Konstfack 1967-1972. Jönsson var aktiv i 70-talets feministiska kretsar i Stockholm, som Kvinnokulturfestivalen och Vi arbetar för livet och är idag verksam som konstnär i Berlin och Brantevik. Hon finns bland annat representerad på Moderna museet, Nationalmuseum och Göteborgs konstmuseum.

Utveckling? by Sven Elfström in Berlinale programme at Arsenal 3

Arsenal – Logo

Utveckling? (Progress?) by Sven Elfström will be shown in the programme Archive außer sich: Odd Ones Out – Films from the archive of the Short Film Festival Oberhausen whose history has not yet been written. The programme will be available online between 1-31 March and has been curated by Arsenal 3.

Utveckling
Sven Elfström
Utveckling? (1971), 6:00 min

Since 2018, the project “re-selected – Film History as Print History” has focused as part of “Archive außer sich” on selected films from the analogue holdings of the Archive of the International Short Film Festival Oberhausen, examining film history as the history of individual prints. Entitled Odd Ones Out, “re-selected” presents films on arsenal 3 in March whose prints from the archive of the festival have rarity status. Some of them were therefore digitised in the course of the project.

On 18 March at 6 pm there will be an online discussion moderated by Nikolaus Perneczky with Tobias Hering, the curator of “re-selected”. It will be broadcast live on Arsenal’s Youtube channel and questions can be asked via the chat.

IN SWEDISH

Film i Samtidskonsten visar retrospektiv med Karl Holmqvist

Rock Garden [Extended], Karl Holmqvist

Under våren genomför Film i Samtidskonsten en rad digitala program med verk ur Filmforms samling. Först ut är ett program med Karl Holmqvists tidiga videoverk Smokey, Rock Garden Extended och Cars Kill. Curatorer för programmet är Cecilia Björk och Nathalie Åhbeck. Programmet finns tillgängligt på FiS hemsida mellan 22 februari – 8 mars.

Program:
Verk ur Filmforms distributionskatalog

1

Cars Kill

Karl Holmqvist

2003, 00:07:40

2

Smokey

Karl Holmqvist

1995, 00:07:20

3

Rock Garden (Extended version)

Karl Holmqvist

2003, 01:16:15

IN SWEDISH

Stockholms konstnärliga högskola tar del av Filmforms katalog

Stockholms konstnärliga högskola – Logga

Masterstudenter på Stockholms konstnärliga högskola kommer se flera verk ur Filmforms katalog av Ann-Sofi Sidén, Muammer Özer, och Guillermo Alvarez. Programmet visas för kursdeltagare under februari och mars. Curator för programmet och lärare på kursen är Nils Claesson.

Filmprogram:
Verk ur Filmforms distributionskatalog

1

Cookie Puss

Lotta Antonsson & Ann-Sofi Sidén

1987, 00:13:00

2

The Life of a Sailor's Wife

Ann-Sofi Sidén

1986, 00:06:00

3

QM, I Think I Call Her QM

Ann-Sofi Sidén

1998, 00:28:00

4

QM at NK (A Queen of Mud Action)

Ann-Sofi Sidén

1989, 00:04:27

5

Curtain Callers

Ann-Sofi Sidén & Jonathan Bepler

2011, 00:19:28

6

Jordmannen

Muammer Özer

1980, 00:27:00

7

Underjordiskt sällskap - en fredagsresa under Stockholm

Guillermo Alvarez

1981, 00:28:00

8

Vem är Zdenko Buzek?

Magnus Bärtås

2003, 00:08:00

9

Image Missing or Scenes Based on an Unrealized Play by Bertolt Brecht (1939), and Later Reimagined by Peter Weiss (1978), about Engelbrekt and the Peasant Uprising in Sweden 1434—36

Samuel Richter

2020, 00:21:12

10

Modellarkivet

Malin Pettersson Öberg

2017, 00:19:30

11

Necropolis

Daniel Jewesbury

2019, 00:24:42

12

The Swedish Camp

Jesper Nordahl

2019, 00:14:48

13

Untitled Abisko

Sophie Vuković

2020, 00:19:20

IN SWEDISH

Verk från Filmform visas i Stockholms universitets regi

Stockholms universitet – Logga

Filmform kommer visa ett urval verk online i samarbete med den Filmvetenskapliga fakulteten på Stockholms universitet. Filmerna visas som kursunderlag till fördjupningskursen på kandidatnivå med temat Filmen som minnesarbete. Programmet kommer visas under februari och mars. Curator för programmet och lärare på kursen är Malin Wahlberg.

Filmprogram:
Verk ur Filmforms distributionskatalog

1

Andrei's Maria

Ingela Johansson

2017, 00:40:45

2

Rodney King

Erik Pauser & Johan Söderberg

1995, 00:04:03

3

Father’s Day at the Shrine of the Black Madonna

Mats Hjelm

2006, 00:12:02

4

Three Poems by Spoon Jackson

Michel Wenzer

2003, 00:14:00

5

Vem är Zdenko Buzek?

Magnus Bärtås

2003, 00:08:00

6

Stora scenen

Tova Mozard

2012, 00:31:00

6th QFFM Film Festival screens Moms on Fire

Queer Film Festival München – Logo

Moms on Fire by Joanna Rytel will be a part of the programme best-of feminist short films at QFFM – Queer Film Festival Munich in cooperation with the Academy of Fine Arts in Munich. The programme will be screened online the 14th of January.

Programme:
Works distributed by Filmform

Moms On Fire

Joanna Rytel

2016, 00:12:00

IN SWEDISH

Onlinevisning av Enligt lag under Luleåbiennalen

Banner - Luleåbiennalen 2020

Luleåbiennalen arrangerar en visning online med ett urval verk från årets biennal. Enligt lag av Peter Weiss kommer vara tillgänglig på Luleåbiennalens hemsida mellan den 2-3 januari. Curatorer för programmet är Karin Bähler Lavér, Emily Fahlén och Asrin Haidari.

Filmprogram:
Verk ur Filmforms distributionskatalog

Enligt lag

Peter Weiss & Hans Nordenström

1957, 00:20:00

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