Santiago Mostyn’s films, installations, texts, and performances often explore the dissonance of lives lived between different political spheres. His work simultaneously employs footage of historical events, political and cultural figures, and racial injustice to speak to his own personal histories. Santiago creates an intuitive narrative through layering and collage, whether through video or installation, combining new and archival imagery. His research-like process examines questions of identity and memory, both personal and collective, and the intersections of history with current events.